Mr Google Computer Font Font is an Artistic Alphabet font.

My Font looks like "Justov"

This Font is only for Android, Windows 10, Windows 11, Windows 12, Windows 7, Windows 98, Windows XP, Windows 95, iOS, iPhone, iPad, Nintendo Switch, Samsung, LG, Lenovo, Realme, Infinix, and Vivo.

Powered by Mr. Google

Ever wanted to use a Minecraft font but can't type accents? Well this is the perfect font for you!

•More accurate than Minecraftia (has that pixel on the 2 that gives me OCD because it's not on the Minecraftia font)

•Has characters with accents (designed by me, might not be accurate)

•Has special characters (designed by me, might not be accurate)

•Has some emojis

•Has fractions (yes i know they already exist in Minecraft, i just wanted them to actually be recognisable)

20/11/23-Changed ~ accent to be more accurate

21/11/23-Added some Cyrillic

22/11/23-Added some mathematical symbols

27/11/23-Added Enclosed Alphanumerics

28/11/23-Added more Enclosed Alphanumerics

30/11/23-Added 

My attempt at doing the FontStruct logo font.

Filters used:

1    - Horizontal Brick Size
0.9 - Vertical Brick Size
0.9 - Horizontal Grid Scale
1    - Vertical Grid Scale

A font based of FontStruct's logo.

You can also find an alternate lowercase A at Unicode point U+0430

Pixel art font by @martared.art

Make sure UnixFonts and Ethan see this

The Pi's are different

FRUNTSTOCT — FontStruct logotype reinterpretation
═══════════════════════════════════
For all ya failed attempts at re-creating the FontStruct logo typeface.

Many have tried their take on it, most without convincing succes, and often looking downright horrible.
Two of the most commonly made mistakes are..  1) The introduction of a uppercase alphabet  2) Having a tendency for including far too many stuff in terms of extended language and typographic support, aiming for large multi-lingual character-sets with as many glyphs possible.

The lettering for the FS-logotype has this very distinctive modular geometric stencil concept. The underlying glyph structure consists of 5 horizontal rectangular segments, that together with a custom set of simple geometric blocks form a modular system that can be easily re-modeled or re-arranged to form the different letters and required parts that help to distinguish each individual letter from one another.
The modular system itself is highly simplified and easily accessible to implement additional changes. But typically speaking a simplified modular system comes at a price. And the further a system was simplified, the greater the amount of limitations will be. Which literally translates to a reduction in overall design depth and freedom to implement a more diverse complexity.

—TECHNICAL SPECS:
[Dimensions]               Segments
X-Height             —     3
Cap-Height         —     4
Ascender             —     1
Descender           —     1

[Filters]                            Value
Horizontal Brick Size    —    2
Vertical Brick Size         —    1.8
Horizontal Grid Scale    —    0.9
Vertical Grid Scale         —    1

In case of this FS-logotype concept, there are a number of key components that put in place this very strict window of parameter-locked propperties, that exclude all but a few remaining options which could still be exploited, and therefor fully dictate whatever is, or is not possible.
Having only 5 segments, limited geometric components and highly restrictive rearrangeable capabilities towards implementing variation all adding up to the difficulty-level for extrapolating some of its more complex and- / or denser forms, symbols accents and puntuation marks.

To cramp excessive amounts of complexity into a very narrow band of realestate would have a certain negative wear on its aesthetic qualities. And is likely to result in a combination of messy glyph composites and queer-looking letter-inventions, contrapped in a mish-mash of irregular and gawky looking, at times even disfiguring geometry that sit at the heart of this problem.

This is exactly where those bad choices can either make or break your font. The modular system for FS's lettering clearly isn't the most suitable of fonts for uppercase forms and complex geometry.

This doesn't mean that it is impossible, as was demonstrated by a small number of re-interpretations that actually do include fairly decent uppercase inventions. One of such that have successfully pulled off the inclusion of a uppercase set for his rework of the logo typeface was Zhalgas Kassymkulov—previously known as architaraz.

His attempt is a beautiful display of craftmanship and clever simplicity.

Here is a list of attempts that I think are successful re-interpretations of the original FontStruct logo:

Structurosa Italic — by four
AT Archistruct Outline — by kassymkulov
Structurosa— by pauldhunt
FS Logotype — by WeDoFonts
pixelstructia — by gamesgames
fs Colophon — by user-juli
fs sanstruct — by ETHproductions
Realised — by thezenmaster1000
Structurosa Bold — by pauldhunt
FontStrukt 2 Soft — by Jamie Place (FontBlast)
Structurosa Bold Too — by pauldhunt
 

— WHUTZINSIDE THIS FRUNTSTOCTION?
Now, a extensive explanation for the decision to not include uppercase forms to the font, as well as for the constraint on total character amount had been broadly covered above. I think that small caps numeral figures make a much more sleek looking glyph, and tying the overall character set much more together as a whole.

Another, and I say, rather more unique feature found in my version of the lettering is only a subtle one in fact. One that mostly works invisibly, that without the awareness of the reader, is easily missed. And can only truly visually materialize and appreciated seen up close. This is the implementation of several slight deviations and custom sculpting of certain curvatures and round features. Introducing an ever so slightly more diverse dynamic, but also taps deeper into some of that shape contrast propperties.

In addition to that I've also included several glyph alternative forms and small number of ligatures to play around with.
among these glyph alternates there is also this continuous string of 13 rather experimental looking glyph variations for the lowercase letter 's'.
These aren't actually meant to be usable characters, but instead is a collage of different configurations that make various curved geometry, and are simply stored in a glyph-style fashion that provides an actual physical estimation on their appearence and for me to test their functional values in a text format.

So far so good,
I am happy with how the font turned out to be, it is fairly consistent looking and still remains quite usable as a font.

That's all for now folks...

Cheers.

only lowercase. so you wanna do the logo?

taken from a fontstruct image

Version:  1.0.0 Released

The real logo font for FontStruct.

My version of the FontStruct logo. All uses of the logo is credited to the creaters of the logo, like Rob Meek.

Only for bilingual use: English and or Bahasa Indonesia. (Indonesian)

The expanded version can be found here as a WIP version that can be useful later on by this site

**Alternative letter N in uppercases.**

This is a project I have been doing for almost a year, thank you for your support!

My take on the fontstruct font, with added Cyrillic.

5*5 pixel font but balloons(doesn't support arabic letters due to the arabic letters will end weird) :(

free to use! :)

it is the most small size I can make,2*2 and 1*1 fonts will end un-readable

AN EVEN SMALLER font(doesn't support arabic letters due to the arabic letters will end out of the place :( )

free to use! :)

an even smaller size,doesn't support arabic letters due to the size :(

free to use! :)

I tried making an smaller version,due to the size,some letters ended THICK,I cannot make arabic letters with 4*4 pixel size :(

free to use! :)

I made a 5*5 pixel font(supports spanish,english,french,german and arabic letters(some letters ended off .-. ))

free to use! :)

Is my 1st font that I made,It only supports spanish,english,french,german and arabic letters,free to use :)

5/may/2023:Turkish Support