A collection of exceptionally creative FontStruct fonts with very small character sets. Also known as the UWE set.
I produced this typeface as a part of a UWE project.This font was created around the theme of Malnourished and involved drinking many cups of tea! I took inspiration from it being the Autumn season and started looking closely at leaves and their structure. I then moved on to show the progression of the season throughout; how as time passes the leaves fall off the trees and the trees are left bare. The type would be better suited to a title or headline font rather than a body text and I've found works best on a large scale.
Based on the relationship between ink and water, experimenting with the way the two liquids merge and the variation of patterns they create. The font does not follow one distinct pattern, it displays the variation of impressions these two fluids can create. The typeface is a display font, not designed to be used for large bodies of text.
Based on the theme of 'Energetic', this typeface is inspired by the footprints which teach people how to dance. The unrepeated pattern of footprint suggests spontaneity, and it also makes the typeface looks unusal and stands out. The font is designed to be decorative and to be use selectively. I think it will be suitable to party poster or promotion.
The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.
My theme was continuous i started to try and create letters using string making a one line letter, then many doodles and sketches later i started to looped the lines back around becoming more and more looped and decorative until i scoured through them all taking the best bits to combine them into 'Continuous'. Continuous is smooth flowing font thats designed to be a continuous line that loops back on its self to create the letter using a mixture of negative space and the shapes created by the line.
I have made this font based on the overall theme of dangerous. When exploring this theme further I started looking at venomous animals and specifically at Funnel Web spiders. The intricate funnel shaped webs that they made started off the initial designs for this font. I looked at the different patterns that the webs can make and made a web of my own to priduce the shapes that inspired this font.
This blocky and industrial font was inspired by architechtural features on a large multistory car park near where I live. I took pictures of multiple elements from the building and rearranged and rotated the shapes to create letter forms, and used shading to create a 3 dimensional effect to mimic the structures depth when seen in person.
Zakhrafa is a type of Islamic art which consists of embellished geometric designs. It is often used to complement Arabic calligraphy on architecture to bookcovers and various media. The inspiration of this font comes from the various Islamic patterns that can be seen on buildings all across Qatar. After living there for 8 years, I learned a lot about the Islamic culture which is what I want the font to reflect.
This is a cloneThe font is inspired by prompt word 'rebirth'. This typeface represents the change in lettering overtime, can be interpreted with the bold layer representing more minimalistic and professional modern lettering and the thin lines being more rough lines inspired by cave carvings. I took an abstract aproach to adding shade in certain areas the letters are cut which made the typeface look quite geometric at first glance.
Read as I read 2 is a typeface that I have developed from the previous design 'Read as I read'. With the same aim to capture the movement upon which the letters are distributed around the page caused by dyslexia. A feature common amongst dyslexics, that causes difficulty and uncertainty when trying to make out written words. In developing the typeface I aimed to increase legibility, to make it more universal. Whilst continuing to capture the context of why I initially created the typeface. Representing this by combining the same letter form twice, and overlayingthem in order to capture the aspect of movement. This time all in captials to help with legibility.