Monospace version of Dangerism Minor

Also check out the other fonts in the Dangerism collection

A condensed version of Dangerism Minor

v1.3: added a bunch of dashes

v1.2: made 7 thicker, made f more distinct from F, changed t for consistancy & added bullet

v1.1:  changed lowercase L to make it diffrent from vertical slash & fixed kerning on k

Also check out the other fonts in the Dangerism collection

Work in progress.

A continuation in the style of Genera and Genera Deux

Based off of a puzzle game Idea I have.

It's sort of like a cross between Gunpey and a 1-D Sudoku.

If you want to see the specific rules to the game, take a look at this document:

https://docs.google.com/document/d/1lXeDR1XjB7zTUVcm7y7BlOcOmg9rxpAkX7CK_rhQx_I/edit?usp=sharing

An amusing experiment. :D

This is still being perfected. The trick is in knowing which letters to offset and by how much, and also in adjusting the other letters to form the most cool shapes possible.

Made a font using some strict restrictions on stroke direction and width. Might add minuscule later, who knows.

Iteration 1.11

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Tribal doodle thing. Still in its experimental phase. It's named for Abraxas, a Tromp from the PC game "Commander Blood". (As it turns out, the same name has many historical and mythological uses.)

This a typeface designed to echo the shapes and patterns found across manholes which cover our network of systems across the UK. Manhole covers have been beautifully decorated with patterns but also act as indicators and safety features. Both patterns and the shaping of letterforms are inspired by manhole covers I have found. Designed to be a display typeface at large scales!

Based on a character of mine.

Made by request: An experimental logotype design meant to be high-impact and high-energy, such as befits a speed metal band's album cover.

It contains my own inspirations as well as those of the band, who sketched a few prototypes.

This is clearly unfinished not only in terms of glyphs but also kerning. I was only requested to make the glyphs "AEIMNPRV" and the rest can be considered as doodles... at least, for now. It seems that there's a trend wherein people who make requests of me just want one-off designs like this as opposed to refined and finished ones. But, I'll continue this one on my own if inspiration strikes.

(WIP)

An attempt at an angular, futuristic Fraktur design. It's also inspired by ancient Greek stonecarvings, or at least, the way such carvings are depicted in comics and cartoons. It has a lot of intentional asymmetry to make it look quirky and slightly comical. (I tried making everything symmetrical with composites, but it looked boring!)

I welcome any suggestions for this one. I've never tried to make a "normal" Fraktur, only avantgarde ones, so I'm not very knowledgeable about the style.

Font made for the logo of a particular project/video game of mine.

Some kerning pairs are imperfect... I can only bring them 10 bricks closer together, so a bit of space remains...

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Current Version: 1.9

See also:Dynablaze

A simple geometrical font I use in my projects

v2.5: Added a bunch of dashes

v2.4: Added bullet

v2.3.1:forgot to change letter width

v2.3: changed lowercase L to make it diffrent from vertical slash

v2.2: fixed UK pound symbol

v2.1: fixed k to make it look more like it's uppercase counterpart

v2: added some chars & general design improvments

Also check out the other fonts in the Dangerism collection

A bold and abstract title font

v1.1: centered some lines

Also check out the other fonts in the Dangerism collection

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon.

Note: E-Keet Winterlate BC is bicameral (typical upper-and lowercase forms). This is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Extra note: I have no idea why the vertical metrics are so honked up compared to the BC version. It's a FontStruct™ Mystery™!

What started as a revisit of an old Impulse Tracker font, EK-WINTR, turned into an exercise in clarity and distinct letterforms in a small (4×8) array for as much as I could manage. I'll gladly add accented Latin letters on request (or as I get the urge), and I might have a go at filling in the Greek and Cyrillic alphabets soon.

Note: This is the bicameral version (typical upper-and lowercase forms). E-Keet Winterlate A26 is the “Alphabet 26” version (no distinction in forms between upper- and lower case).

Going for an industrial sci-fi look. The hard angles give these letters the appearance of being made by some kind of tape or roller.

Like most of my fonts, this is made to have a constant height, with plenty of empty space between rows/lines to enhance readability. Accented characters might be completed at some point, but only if I can work their designs into the existing letter height.

This font was originally designed to be uppercase only. So, the lowercase might be considered as an alternate set.

Original size: 24pt (24pt, 48pt, etc. look most crisp when not using antialiasing)

Inspired by wedge-styled cars.

A very squared-off monospaced font, based on 45° angles. Very thin lines, suitable for text or display. One of my earlier FontStruct™ creations. Let me know how you like it.