WORK IN PROGRESS.
Anatoli Font for use in Anatoli
[https://lingojam.com/Anatoli]
This is a recent experiment on linear design. This includes all 26 letters in both upper and lower case a a small number of punctuation marks.
I wanted to try and create a stark linear script that would be easy and quick to write out in contrast with some of my more ornamental scripts.
Based on ClaWrite by Baxil and the FontStruct version by goakley. Narrowed character size, added numbers, modified letters, simplified punctuation, and extended to Latin-1 Supplement.
Numbers are symmetric in two axis while letters are not.
The number system is designed for base 12.
Ehada is a constructed script containing the basic letters and punctuation. It came out of some practice designs for another script which is still in progress using serifs and stubbed serrifs with vowel accents.
Eshaa, the talon language, is conlang formed of sharp points and flowing lines.
This contsins captial, lower case, comma and full stop only.
Each word in the sentence should begin with a capital letter to get the full aesthetic effect.
Evikræyl is the product of a sudden flash of inspiration combined with a love for calligraphy and the aggressive illumination look.
All the basic latin letters are available along with the numbers and a few punctuation marks.
Evikræyl means 'words that stay' in Kallin'Erillian the conlang this script will be used for.
Based on the Ferengi character chart for the LCARS 47 Project. Tried to keep it phonetic where possible (compare with original chart on www.lcars47.com to see where the more counterintuitive mapping comes in, such as l- sounds mapped to z- dakuon, etc.). Clones encouraged!
Glyphr is a combination of shapes, design and ideas which I have seen and love. The combination of then creates a very linear chicken scratch script.
Generally you should start every word with an uppercase in order to get the preparatory line, however, the script is equally effective without this.
This is a revision of the original Imrian script (my first fontstruct).
This revision has had some significant tweaks based on what I have learnt from my other designs.
The original script was laced with a strong botanical theme and draw from the Ogham language. All sentences should begin with a ( [open bracket] to create the root symbol. Words are then typed as in english using a - [hyphen] instead of a space. For example:
(The-quick-brown-fox-jumps-over-the-lazy-dog.
Enjoy!
Klanara is the script generated for the conlang of the same name. The inspiration for this comes from a script called Oxidilogi available from Omniglot. The language is made up of consonant vowel pairs throughout and is structured to accommodate this pairing. There are some special characters. the ae and oe pair form a single vowel symbol in Klanara. Also the capital H and L are used to form the consonant pairs sh, ch, wh, th and kl. The lower case h and l are letters in their own right.
Matriarc is a linear script of flowing lines orditing central circles. This is used as a standard alphabet with the upper and lowercase vowels having a different distance to the main line to allow aesthetic placement.
This is the writing of the maþla (mathla) language I created. It is spoken by gods and contains magic.
The phonetics and lexems are based on a mixture of Proto-Germanic, Old Norse and my fantasy. It has 26 vowels and doesn't have any b, d or g sounds.
A neat language of combining letters to create even more unique characters. Based on some languages like Armenian. Work in progress.
The Namak script was originally derived from a logographic script and used for the language of Namariehak around 5000 years ago, but has since then spread and has become the most widely used script on Notasami. It is a bicameral, alphabetic script that uses a base-10 number system. This is a sans-serif, simple font along with the four Santieng diacritics.