More multiline Romanesque doodle thing.

A variation of Linestrider with rounded line terminals.

A "Connect bricks" font.

It's called linestrider because the outline strides across the inline on both sides. It also reminds me of the courses that are drawn for line-following robots.

The person I made this for requested lowercase. I'll add it as I can.

This was unnecessarily hard to make. Most of the glyphs are drawn with continuous line. Each letter might have other ways of achieving the same continuous effect. But the main purpose of this fonstruction is to request some bricks from staff, I'll mention them in the comments. Thanks.

 A large folded multiline display typeface design. I stopped working on it for now since it really started to become heavier on the resources, probably because of its dimensions. 

A Op Art inspired modern typeface design!.

Just a doodle :D

Blocks are made from lines of widths 2.5, 2, 1.5, 1, and 0.5. Then the glyphs are carved out.

Simple multiline design with rounded corners

A simple multiline design

Experimental multiline design.

A doodle made with Brick Basket.

This has many uses! It works as a pixel font or a high-res one, and can generate a surprising range of visual effects.

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See also:Psycho Wave

Thin (multi-) stroked art deco type design.

The name derived from the fact that it is a thin stroked art deco design with little to no fancy decorative features, other than its multi-line segments. Hence the name "ART ECO"

The fontstruct preview making some diagonal strokes look slightly thicker than the horizontal and vertical ones due to it's behaviour on brick stacking. Which isn't in the TTF font itself.

Uppercase characters only

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Original size: 5.25px (use multiples of this value for pixel perfection)

"Mythical Bursts" is an anagram of "Bismuth Crystal". The design is inspired by said crystals as well as Mayan/Aztec carvings (or at least, the comparatively simple forms they have in popular media) and sgraffito art in which a surface is scratched off to reveal a contrasting material underneath.

12SEP2018: I've edited every glyph in order to disconnect the letterforms from their enclosing shapes. This makes the font much more readable and consistent.

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Original size: 42pt (use multiples of this value for pixel perfection)

Recap from one of the alphabets originally designed by Dutch graphical designer "Jurriaan Schrofer".

The Letters were Originally designed for the "Giro" office building floor plan!

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This is the high-res. outlined style variation in the "ETAGE AANDUIDING" typeface family.

Enjoy!

Letters based on the brand logo of CalpamSMD Olie B.V. a Dutch oil company. Original logo type was designed by Benno Wissing.

Enjoy!

A chimera (fusion) which combines inline-versus-outline, maze, Gemscript, and other techniques to produce a timeless look.

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Original size: 6.75pt (use multiples of this value for pixel perfection)

Design Rules:

1. Square bricks only.

2. A 1px soft border of negative space must exist between lines whenever possible.

3. Glyphs must fill the 9x9 grid to the greatest extent possible given the rounded style.

4. The set of glyphs shall be a heterogeneous mix of symmetrical and asymmetrical forms.

5. Negative space will replace positive in any situation wherein the small grid size or the geometry of a letterform would be detrimental to the chosen style. This includes all situations where any shape lacks at least a soft 1px border of negative space around it.

See also: Terran Pixelcruiser

A multi-line design which is slightly reminescent of mazes/fingerprints. It's not designed to create functional mazes, but it is somewhat capable!

"Absinthelyric Print" is an anagram for "Labyrinthine Script".

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Original size: 11.25pt. Use multiples of this value for pixel perfection. (If you use antialiasing, it will look perfect at most any size.)

Design rules:

1. Square bricks and 90-degree angles only.

2. Alphabetic glyphs must have open terminals; numerals and symbols must have closed terminals. Letters which do not terminate (D,O, etc.) must be broken so that they terminate.

3. Glyphs must fill the 15x15 grid.

4. Ligatures and combinatorial glyphs must fit into one letter's space.

5. Draw from the outside in.

SUTORAIPU ORIGAMI - A display typeface that was inspired by origami.

Enjoy!

And another mazed piece!

Line 'm up!

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".

This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)

Here are a few of the original works I drawn inspiration from:

"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"

Quite different from Archaus, but can be considered as from the same series.

Spacing got much better ;)

Additional lines give this a certain retro-deco feel.

Thanks!