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My font was created with the idea of mess and chaos in mind with each letter having a different 'contents'
It is supposed to represent something similar to pin and string art. The white dots representing the pins and the lines within representing the string. It might come across as a little complicated or hard to distinguish each letter however I think it gives it an authentic look.
Charted from historic French cross stitch book Maison Sajou Miniature Album no. 4. The samplers generally don't include I or W so I created the I from the centre of the T and the W from two Vs. The pattern was found on http://patternmakercharts.blogspot.com/2009/08/sajou-n-4.html
Charted from historic French cross stitch book Maison Sajou Miniature Album no. 6. The M, N, X and Z have been modified from the original and the W added. The pattern was found at http://patternmakercharts.blogspot.com/2009/12/sajou-no-6.html
This font was designed around the theme word Elegant. I was inspired to create a typeface that was ornate and palatial; it is a ode to Baroque design.
I have tried to emulate columns for the body of the font and created a crowned frieze for some of the letters with decorative toppers for the remaining characters.
ORIGAMISH v2
This version features both upper and lowercase characters plus some minor changes to it's appearance!
This is a clone of STF_ORIGAMISH v1I built this font ignoring all knowledge and experience of brickwork and physics. Yet it stands up to use ;) Work in progress...
This is a clone of Free MasonryIn this typeface, I have explored the idea of order and systematic design in an urban surrounding. Following the natural lines from the cement of a regular brick wall I have used the repetitive pattern and method to mark the outline to my type face. This font is primarily created for using in titles and headings rather than in a body of text as it is more impacting as well as visually striking and eye catching.
My union font was inspired by my original Aztec font, where I was playing with simple geometrical shapes. It turned out to be too simple, so I changed the placement of the circles which are now the connection between the two parts of the letter. The circle plays an important role in this font, as it represened the imagery of Aztec God, and now reflects unity.
This started elegantly thin with rounded corners and the name 'memoire', but it developed some electric sharpness through parallel angled lines ;) demanding that I remove curved corners. Work in progress, one of these days I'll add Polish or very basic Greek glyphs .
Argh, I wish I never started this, It was terrible amounts of meticulous work and I wonder if ill ever add the lowercase letters to this type!!
GRID DIMENSIONS:
172 x 74 units
FILTERS:
0.5 x 0.5 grid scale (and still no full glyph fits on screen)
First there is a flourish, in which the beauty of progression is materialised through growth. Followed by distortion and an imminent spoil - I was inspired by this cyclic process.
Angles cant quite define this typeface, so 'Spoiler' as a decorative font chooses to ignore certain standardisation rules; each letter tries to recoil back into what came before.
The lettering, as I discovered through paper manipulation and layering, works organically off screen, for collage and mixed media poster design.
My first fontstruction was inspired by Eastern Art at the Bristol Museum and Art Gallery. I loved the dragon decoration on the old ceramic pots in this section and have tried to portray a similar theme in my letters. (work in progress)