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ULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
This is a clone of ELECTRON-MAGNETO-INHIBITORULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
This is a clone of ELECTRON-MAGNETO-INHIBITORULTRA-KERNED!
THE ONLY DIFFERENCE BETWEEN CAPITAL AND LOWER-CASE IS THAT “K” AND “R” HAVE LONGER STROKES WHEN CAPITALISED.
CHANGELOG
• 2018:01:21 — FIRST RELEASE WITH 105 CHARACTERS.
• 2018:01:22 — UPDATED “[,” “]” AND “|” CHARACTERS.
• 2018:01:25 — UPDATED “&” CHARACTER.
CONTAINS THE MAIN CHARACTERS FOR THE LATIN, GREEK, AND CYRILLIC ALPHABETS.
CHANGELOG
• 2018:01:03 — FIRST RELEASE WITH TWO HUNDRED AND FOURTEEN LATIN, GREEK, AND CYRILLIC CHARACTERS.
• 2018:01:06 — UPDATED THE “K” CHARACTER.
• 2018:01:07 — UPDATED THE “Ж” CHARACTER.
• 2019:08:13 — UPDATED THE GREEK “Ε” AND “ε” CHARACTERS TO DIFFERENTIATE THEM FROM THE “Ξ” AND “ξ” CHARACTERS.
This Typeface is based around the idea of an Abstracted version of lace. This block letter is Transcribing the idea of lace normally being quite dainty and delicate, and this type is more obscured and bold.
The word 'Messy' led me to consider my personal habits, especially my hair. Through exploring my own photography of hair arranged to form basic letter structures, I considered texture, shape and tone. Further research and discussion introduced a resmblance with 'Black Letter' type ie. thickness in line. Therefore, I combine hair aspects with the traditional typeface. I believe my creation successfully modified the well known font by introducing more complex curves while still acknowledging the original theme.
Dehumanised is a typeface drawn forth from the deepest parts of a mind challenged by illness and intrusive thoughts. It hopes to create an avenue of expression through its bold, sans-serif design combined with a strong theme of slashing and debris. It was informed by the illustrative manifestation of anxious, angry thoughts cutting through simple day to day life and new ways to combine different versions of destruction into a dystopic yet coherent typeface.
CAPITAL LETTERS HAVE A WHITE STRIKETHROUGH. LOWERCASE LETTERS ARE COMPLETE.
TO GET THE PARALLAX LOGO (MY WEBSITE), TYPE “%.”
ALSO SEE THE TWO-DIMENSIONAL VERSION OF THIS FONT, “PARADOXICAL-VORTEX-FLATTENED.”
CHANGELOG
• 2017:11:30 — PUT THE STRIKETHROUGH ON THE CAPITAL ACCENTED CHARACTERS. ALSO FIXED A SPACING ERROR WITH THE “$” SYMBOL.
• 2017:12:01 — DUE TO POPULAR DEMAND, I HAVE ADDED A HUNDRED AND FIFTY NEW AND ACCENTED CHARACTERS.
• 2017:12:02 — ADDED EIGHTY-SIX MORE CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO THREE HUNDRED AND FORTY-ONE. ALSO UPDATED THE “¥” SYMBOL AND THE SINGLE ACCENTS.
I created this typeface around the theme of gregarious, focusing on gregarious plants. I started with drawing the letterforms in ink using a rolled up leaf. The results were twig-like marks which reminded me of the illustrations from 'A Monster Calls' so I developed the letters thinking how they could work alongside this or another story. The name 'This Wild Earth' is taken from the book and I think reflects the scratchy and bold feel of the typeface.
In this typeface, I have explored the idea of order and systematic design in an urban surrounding. Following the natural lines from the cement of a regular brick wall I have used the repetitive pattern and method to mark the outline to my type face. This font is primarily created for using in titles and headings rather than in a body of text as it is more impacting as well as visually striking and eye catching.
First there is a flourish, in which the beauty of progression is materialised through growth. Followed by distortion and an imminent spoil - I was inspired by this cyclic process.
Angles cant quite define this typeface, so 'Spoiler' as a decorative font chooses to ignore certain standardisation rules; each letter tries to recoil back into what came before.
The lettering, as I discovered through paper manipulation and layering, works organically off screen, for collage and mixed media poster design.
This font is based off the theme 'Wicked'. This is just a draft, but it is a complete set so I will leave it up to show my progress. This font uses spooky dead trees to make letter forms. This was not intended to have anything to do with Halloween, but the full set of characters was completed on this fateful 31st. Feedback is welcome!
This had the look of the original reverse-comp entry. Then the save ignored me, as you can see. Another of my basic fonts died in silence.
I've returned too late to make a special font for the Reversecomp. I already had changed some aspects of the "Lord Calendulos" version of Calendula set in the clone taken and finished this Lady version today. As my competition entry I flipped the Lady Calendula glyphs horizontally. This means my reversecomp entry font "Calendula Lady" can be used like a plane shadow when placed under Lady Calendula.
This is a clone of Lady CalendulaA Lady style font. For the calendula flower.
This is a clone of Lord CalendulosReverse in the visual context can mean many things. I decided to create letters and mirrored them, attaching them to a spine.The letters looked like filigree jewellery pendants.
I know that the I , T and W don't follow the design rule; I tried to align them on a spine but the result was unsatisfactory.
This is a cloneInspired by a lace edged table cloth. Good for a word of greeting on a card for Easter (or Ostara, but you're a day late ;) so you best grab it for next year... ) It would be great to use on cards, labels, book bindings, for someone doing needlework, crochet, knitting, tatting, macramé, sewing, stencil work and similar paper or thread based crafts.
This is a clone of Kerbe2A typeface inspired by American typefaces from the 1800s and the Art Deco-styled coffee shop I visit often in Des Moines, Iowa.
Combining a slab-serif, expanded typeface with ornate detailing brought challenging consideration to the legibility of the font. It’s used best for short, bold messages or an energetic initial cap.
Based on the decorative identity squares that FontStruct members get when they join. My design is based on the elaborate squares of Lady Quadretti. I just had to replace the decorative bricks with the plain square which showed how much Quadretta relies on the variety of bricks to be interesting and different.
This is a clone of Lady QuadrettaBased on the theme of 'Energetic', this typeface is inspired by the footprints which teach people how to dance. The unrepeated pattern of footprint suggests spontaneity, and it also makes the typeface looks unusal and stands out. The font is designed to be decorative and to be use selectively. I think it will be suitable to party poster or promotion.