Including cyrillic (to native cyrillic users about my glyphs: help & comments are welcomed, please). Some kerning is in process. See also zendera smallcaps eYe/FS.
Alternatives for some glyphs (trying to disconnect a bit the sides and baselines) are in the lowercase zone. Plus: other "1" at the "t", the 3rd "U" (and their accents) at the "v", "ò", "ó", "ô" and "ö", respectively. Enjoy it, please.
Brush script, art deco, classic engraving, three genera of gothic (sans serif, blackletter, and ancient alphabet!), runic, hieroglyphic, and yet still some futuristic tendencies all informed me. But do they blend?
The handwritten quality of a broad-nibbed pen or skillfully wielded marker provides the binding agent. An emulsion of all these influences, it is at once all and none. Even the strict modularity begins to melt into the background. Yet so distinctly fontstruct...
This is a cloneHappy 10th anniversary to FS and all the fontstructors! Thanks a million to Meek and the sponsors. This is a wonderful trip and the future is infront of us, compañeros!
BTW, "Sorpasso" means "overtaking" in italian.
I'm kerning...
Years ago, a small font from 2008 caught my eye. Now I've dared to use its structure to modify and complete it, and thus create a new visual experiment. I'm sorry, diacritics are the weak point. Hope you like it. ¡Y Feliz Navidad a todos, amigos!
This is a clone