2171010010
Published: 21st September, 2015
Last edited: 21st September, 2015
Created: 15th September, 2015
After looking at several examples, this is my interpretation of a 16 Segment alphabet, an expansion of my Curved Seven Segment experiment. Hopefully a little more elegant than the traditional "sharp-angled" versions. The interior diagonals are not as nice as I would like, but suitable for this project.
422207559
Published: 23rd October, 2013
Last edited: 29th October, 2013
Created: 21st October, 2013
A font, in which every character consists of two or more interlocking shapes. Slightly inspired by Thalamic's "fs Six Sticks".
I might do some alternates in the lower case area, and possibly also numbers. But I really shouldn't. Funny how creativity flows, when you should be doing something else :p
35210012
Published: 20th January, 2012
Last edited: 5th November, 2011
Created: 27th October, 2011
Forgotten Fonts 1 Glitchy // I'm looking through my font library at my many Forgotten Fonts to see how many should have been released.
84725515
Published: 11th January, 2011
Last edited: 25th April, 2011
Created: 10th January, 2011
The name is not definite. Capital are black, lower case are white. Use [], (), {}, \/ for frames. Use _ for a "grey space", that connects the words. The eszet is white, for a black eszet use § - or the new capital eszet! I guess the name is definite then.
88266925
Published: 26th September, 2010
Last edited: 22nd February, 2011
Created: 13th August, 2010
"Who needs macaroni (bricks) if you can have ziti*?"
*Long hollow pasta rods that you break in shorter pieces before cooking.
58215817
Published: 1st September, 2010
Last edited: 22nd August, 2010
Created: 8th August, 2010
Work in progress. That is I'm still working on numerals and all sorts of foreign writing systems, but for "normal" use it's probably fine.
Hey, this is my 75th released fontstruction! I should revisit the heaps of private 'structions I've got back there and see if I can make it to a hundred.
5997124
Published: 24th May, 2010
Last edited: 25th May, 2010
Created: 21st May, 2010
This font imitates a 2D-barcode. I just felt like creating something chaotic. The lower case are alternates for the upper case.
58722910
Published: 8th November, 2009
Last edited: 14th April, 2010
Created: 8th November, 2009
I've made the lower case smaller, and it is no longer monospaced.This is a clone of Unfix
74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
1991071041
Published: 6th June, 2009
Last edited: 25th June, 2009
Created: 30th May, 2009
Something with a 1-2-3 rythm.
Suitable for outer space missions, robotronics and digital nostalgia.
This is a clone
2162439
Published: 8th April, 2009
Last edited: 16th June, 2009
Created: 8th April, 2009
Typical LCD scoreboard font. Digits are in standard segment positions. Letters have been extended beyond the usual LCD segments to give more readable alphabetic characters. If you prefer semi-proportional spacing, try our Digital Clock font.
1317535
Published: 25th December, 2008
Last edited: 12th June, 2009
Created: 25th October, 2008
very much inspired by the screen design of a fictional television show hosted by Bruno, a charakter created by comedian Sacha Baron Cohen. Hence the name.
If someone knows if there exists a typeface used for the original please let me know.
491392
Published: 25th August, 2008
Last edited: 16th June, 2009
Created: 24th August, 2008
I didn't realize how hard it would be to get all the letters off a digital clock until I picked a pattern of cells and stuck with it.
9675845
Published: 28th April, 2008
Last edited: 2nd June, 2011
Created: 28th April, 2008
Font of the day #1: One of my very first fonts (if not the first) here on fontstruct.
{Letters made from dots of pretty random size. Holds extended Latin A and B, Cyrillic and Greek alphabets and (very little) hiragana.}
9611955
Published: 24th April, 2008
Last edited: 16th June, 2009
Created: 24th April, 2008
This is a font styled after good ol' Dot Matrix printer fonts from way back in the early days of computing. Want a retro computer feel to a document? This should help.
1021952
Published: 17th April, 2008
Last edited: 11th November, 2010
Created: 17th April, 2008
This is my humble attempt to design a more modern translation of the beautiful 1896 Berthold masterpiece Akzidenz Grotesk. It’s no Helvetica, but the result is pretty interesting nonetheless. Check out the counter spaces in the lowercase forms—they took the most design thinking/work.
267028010
Published: 14th April, 2008
Last edited: 22nd June, 2009
Created: 14th April, 2008
Otis is a dot matrix font based on the LED display of the elevator in my building as well as an amalgamation of various other digital displays around San Francisco. Otis Bold is a bold weight. Includes diacritics, small caps, old style and lining figures, alternates, ligatures and some elevator dingbats.This is a clone of Otis
382428011
Published: 14th April, 2008
Last edited: 23rd June, 2009
Created: 14th April, 2008
Otis is a dot matrix font based on the LED display of the elevator in my building as well as an amalgamation of various other digital displays around San Francisco. See also Otis Bold for a bold weight. Includes diacritics, small caps, old style and lining figures, alternates, ligatures and some elevator dingbats.