The 2nd Version Is Here!

V2 - 13-9-2024

A spin-off font of “Lyle II: The Waggoner Strikes Back”, this one with those spacey 80’s streak things. 100% free. 

This is demo V1, The full version is waiting for you! :)

Demo 1 - Saturday, 7 of September 2024

This font gives the UC on the first 3 Latin bands ... a few alternate UC letters are on corresponding points on the LC, for each of these Latin bands.

The 'ß' is on the correct LC point as German typewriters and keyboards still  offer that one and not the UC version.

Inspired by the Exidy Inc logo. Dunno what this would be used for though, lol. 100% free. Also, just press the space bar if the letters don’t quite line up, it isn’t perfect. 

This had the numberscomp tag on it at some stage, so still shows the numerals first in the gallery pages. I wasn't happy to share it until now however. I used a combination of connected and custom made bricks. Alternate a and e in lower case.

80s/90s era based font. Based off of TW Pacer Logo.

Version 1.0

A shot at making my own alphabet.

A font modernized from back in the day with a consistent block and line rule.

Recommendations are welcomed : )

Based on a 9 point vector monitor. The font only works in uppercase, all lowercase letters are symbols, such as various arrows, ÷, £, some greek letters and other miscillanious ones.

THEME: PROTECT

A display font inspired by one of the UK's first and most influential free-party sound systems- Spiral Tribe. They helped create a culture of freedom and expression through art and music which was heavily (and still continues to be) suppressed by the Police. They used tribal patterns frequently in their artwork, which is the reasoning behind the spiral shapes within the letters. 

The weights are varied throughout the letters to make it more playful and psycholdelic, as the rave culture is against agression and force used frequently against them by the police. New age travellers embrace harmony- which is why the letters are sized so that they work together in words to create a wider pattern.

I'm Baaaaaaaaaacccck!

Sorry it took so long to post another font.

Being that my last font was so low resolution and just felt to compact, I decided to make a new font with curves and a fun style. This steampunk like font is sure to add personality into any document or project.

Pls enjoy it!

(Any similarities to any fonts preexisting is a coincidence. If you fell that this or any of my fonts are copying another font, please alert me so that I can make some changes.)

OP Art style lettering, but oh my god this is painful to the eyes!!

For that reason I'm done with it. If anyone is in the mood for a brain cooking project, be my guest, I made it clonable!

Cheers

Morse code but when you type it looks like a Bar code.

Thin Bar= Dot

Thick Bar= Dash

Space between charecters= 1.5 bricks

Upper case= Only Barcode

Lower case= Barcode with letters underneath

A series from Electron Sans, inspired from GS Unicode 2.0 by Greenstar967

Discontinued, Beta 1.0.16

Glyphs: 733 Char

Recent changes

This font is no longer maintained.

Sans Serif font, inspired by GS Unicode 2.0 by Greenstar967

Discontinued Font, Alpha 1.1

This font have a series, click here to check it out. For now and so on, i'll working at the font series of this font.

Decorative font with 3 open lines that give a pseudo-volume. Extended for most European and Scandinavian languages.

Cursive version of the Duos Font

Enjoy! :)

SQUIGGLE

A script designed for the conlang of 'Ȑiþȑa̷în'.

The language of Ȑiþȑa̷înwas created at Farnad by a joint effort of Harlastes and Rakiana specifically for the use of the new ‘nation’ taking form from surviving Hyntellar, Aignar and Oumda peoples, who were later collectively known as the Ȑa̷inðâl (Ȑiþȑa̷în: ‘the agency of the world’). As a language, it was designed principally for morphemic elegance and semantic density while using the aesthetic phonemic preferences of its creators and intended speakers, perhaps inspired by the logico-mathematical concept of ‘elegance’ taught at Cynkyallat (Khalaris), Tain and Icoras. As a result, the range of consonants and vowels is relatively small, while also being highly inflected; making extensive use of suprafixes – where the first vowel-sound of a word is modified to change its grammatical function – and limited use of more standard suffix-inflection. In particular, the semantic density of Ȑiþȑa̷în made it ideal for transcription onto valuable or rare writing media as well as possessing a high level of concision in spoken form. Its most celebrated features were used in philosophy, where widespread suprafixing meant that singular concepts tended to retain their essential form regardless of grammatical function and in debate where complex ideas could be put over remarkably quickly. However, its suprafixional grammar also required excellent diction and enunciation from its speakers, precipitating a rather unique oral culture.

‘Ȑiþȑa̷în’is a compound word from the phrase ȑīþ ȑa̷în, which literally means ‘the speech of agency’ or ‘agency’s speech’ – relating to the important concept of ‘civilisation’ or ‘the agency of a people’ in the culture of Farnad. Ithas five cases, five persons, five tense-aspects, and two numbers in its inflectional system, while gender and, when necessary, mood, are conveyed lexically and through word order.

The routine is the first jailer. Look forward, open your mind. Ask about everything. Our Future begins in... 3... 2... 1... NOW!