This bold, swirling font draws its inspiration from the theme of 'Protect'. Within this theme, I looked into how people use crystals to protect their aura, soul, and mental and physical health. I thought about the contrasts that crystals have - smooth, curved and polished but also jagged and rough. I created pixelated curves using fontruct bricks to emulate this as well as adding the 'shine' that crystals give off.
My font is based on the Ministry of Transportation building in Georgia. The building itself is inspired by Japanese Metabolism architecture. Which is a moventment inspired by growth and adapabilty. I wanted my font to feel as though you could stack and change it just like Metabolism architecture.
For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.
Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.
This font was based on the theme “Hope”. It was inspired by spray painted protests and the textures and inconsistency of hand-painted placards. Seeing people standing together, holding their placards high created a sense of hope that change and reforms could be made to create a more just and equal society.
This is a cloneThis is my first typeface made in Fontstruct and it is a part of my degree. The theme of the project is “Rebirth”. With this Fontstruction I am trying to revamp some of the typefaces being used for headlines and drop caps in books or newspaper. I am aiming for a more boxy and modern look, by some separations in the structure of the letters. My main inspiration came from sci-fi books and encyclopedias.
This fontrusction was created for the theme 'community'. Titled, 'Social Bubble' I aimed to represent how Covid-19 has affected our social lives. The reason for the different styles for each letter is to express how everyone's situation is different, however I did keep some consistency for aesthetic purposes. The bitmap style also represents how social interaction has become more digital due to people not being able to see each other face to face.
"Sederhana" is an Indonesian word, meaning "simple"
with its simple style, funny looking "V", lack of diagonal lines, and its easy to read!
this font is CAPITAL ONLY!
note for Arab users:
بطريقة ما لا يعمل الجزء العربي من الخط ، لذلك يجب عليك استخدام الأحرف الأساسية النهائية والمتوسطة والأولية للكتابة بدلاً من ذلك
اسف على ذلك :/
somehow the Arabic part of the font doesn't work, so you must use the final, middle, and initial base characters to type instead
sorry for that :/
(نعم أنا أستخدم مترجم جوجل فأنا لست عربي, yes i use google translate, I'm not an Arab)
- Basic Latin
- More Latin
- Extended Latin A and B
- Greek
- Cyrillic
- Arabic
- Armenian
- Georgian
Intended Language Support
عربى-Arabic
հայոց լեզու-Armenian
Беларуская мова-Belarusian
български език-Bulgarian
Hrvatski jezik-Croatian
čeština-Czech
Dansk-Danish
Nederlandse taal-Dutch
English
Esperanto
Français-French
ქართული ენა-Georgian
Deutsch-German
Magyar-Hungarian
Bahasa Indonesia-Indonesian
Italiano-Italian
Қазақ, Qazaq-Kazakh
Melayu-Malay
Polski-Polish
Pусский-Russian
Српски-Serbian
Tagalog
Türk-Turkish
українська-Ukrainian
BRAIN POWER
This type face was inspired by the word "energetic", the optical illusion theme deceives the eye and appears to be bend and curved in areas. The energy comes from the deception your brain; the longer you stare, the more you see. I studied mazes and other opticall illusions before coming to this outcome, shading was important as it makes the letters more realistic and 3 dimentional.
This is a cloneThis font originates from the adjective 'Energetic'. It's stable centre and shakey outer layer represents the effect of consuming copious amounts of energy stimulating substances, usually resulting in a case of Caffeine Jitters.
Distressed is an uppercase font focusing on the theme destruction. Within this element I looked more specifically at mental health and how social media has an affect on our mental wellbeing. I created a cracked and distressed effect on each individual letter to visually express the pressure and insecurity we can experience from social media.
AH Machina is a font I made 'cuz I liked the A, basically. The N is weird, I know, but there's really no way to fix it save making it SUPER long or intersecting the other side (which I don't want to do) or something.
The theme for this typeface is the word 'Filthy'. The letterform's structures are based on dust and the way it separates when a finger is dragged through it. Dust collects on objects that have been untouched for periods of time, often through neglect. The use of negative space and lack of border draws attention to the dot-work dust that forms around the accents of the letters. As a finger cleans dust, larger piles form where there is a change in direction. This helps identify the individual characters whilst keeping a minimalistic approach. This font can be used for headings and posters, or shop designs and logos. I have always felt this font would go well on a burger shack to help give a rustic or edgy look.
'Nailed It' is a unique and exclusive display typeface primarily designed to portray a message of something to be wary of and to represent the dangerous. The font is physically made of various size nails and splints of timber, positioned to replicate an original font based loosley on a brush script typeface in capitals. Uses for the font could range from circus signs to hardware shops (the most common, obviously).
Circus (Decorative font)
This is a clone of Bevan's Decorative