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A recap of the lettering by Dutch graphic designer "Jurriaan Schrofer" that he designed for the "gemeentereiniging" (translated: municipal cleaning services).
It's not very clear which eventually became the definitive alphabet that went into use, so I combined the two most important sketches into one typeface.
Enjoy!
I went and mangled Spelunker by Zephram. I am messing with the shapes of the spaces between the letters. The name of the font indicates that most of the letters are wearing bell bottoms.
This is a clone of SpelunkerA retro-futuristic font inspired by this low quality image of a Roland MC-500. (In reality the logo uses the typeface that Future Earth is based on.)
Cassie is a Decorative font with connection brick forms with a connecting macaroni triline and connecting macaroni biline with a Straighten half snapped-stripes that give the font looks clean & rounded.
This makes for a more natural reading rhythm more commonly found in decorative types. This font was made by Swedish Type Corp.
Black and rounded display font. Made with 2:2 filters, x height = 2 bricks (yes, truly), UC height = 2,5 bricks, and descenders = 0,5 brick. Plus: "ff" and "tt" ligatures placed at the "fi" and "fl" glyphs, and a lot of kern done but more in progress. Enjoy, please.
PS: Thanks to @Sed4tives for his continuous, selfless and very helpful help on improving this font. I'm in debt, compa!
I wondered what a plain version of Candylander would look like, so I made this. :D
I think a fully half-arc version could look even more stylish than this! Hope to find time to create one soon. (EDIT: Done, see Migrator)
This is a clone of CandylanderExperimental brush/pen thing. Has a slightly spooky look. Because of their tapering curves, many glyphs can render with a "split" or "stencil" look about them. This is due to software-imposed limitations on vector rendering. Designs which share this property can be considered Pseudostencils.
This design is not informed or inspired by any existing typographical traditions. I set out to make the "claw" bricks (as I call them) into a font and this is the result.
*
Inspired by the works of regular_one. Unlike most fonts I've released recently, many of the glyphs had to be modified or even redone from scratch.
- M, W, m, w, @, #, %, <, >, ~, and the circumflex above accented letters were all too wide and had to be condensed;
- I, f, i, j, l, r, and t were all too narrow and were expanded a bit, mostly through the careful application of serifs;
- K, M, W, X, Y, v, w, y, 7, /, and \ all had ugly mixes of angles that needed to be redesigned;
- N, *, (, and ) were completely redesigned, and many more touched up, to fit better with the rest of the font.
Most of the edits made were not possible before nudging. It's still not perfect, but it's much better than it was before, and I'm proud of how much it has "grown up". Of course, suggestions and critiques are encouraged. Thanks and enjoy!
Have you ever tried to add more glyphs to a font you haven't touched for months? Cause I always struggle when I try it… Nevertheless, I'll try to add some more characters as soon as I find time and motivation