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By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
Rickiestereo is a Sans-Serif font carefully designed for computer & mobile screens.
Our insistence black font Is now used a expertly hinted for screen use. So It was similar to Artmix. a pretty completive set of diacritics, as well as a stylistic alternative inspired by more sans-serif and claim typefaces than its nonsense Hardcore inspired default character set. the forms for the Rickiestereo typeface letter Q were being drawn.
Looking for the cities.
I might re-make this from scratch in FontForge in the future…
I got inspired by züricher Eye/FS from elmoyenique to create my own rounded font.
An old updated idea: overlapping glyphs. Now with the new layers, here you are. See also zupra 3D eYe/FS.
This is a clone of zupra 3D eYe/FSAn old updated idea: overlapping glyphs, and 3D simulation with colours. See also zupra eYe/FS.
~ very minimalistic conscript (for numerous languages) ~
with the basic letters/sounds: «a», «h», «i», «k», «l», «m», «n», «p», «s», «t», «u» and «y» (vowel ligature consisting of «i»+«u»).
new consonants can be created with a dot above or below the consonant (subsequent «"» or «'» resp. on the keyboard), e.g. «p» + «"» = «f». to create new vowels, the existing («a», «i», «u» and also «y») can be linked together with a line («-» on the keyboard), e.g. «a» + «-» + «i» = «e».
with a subsequent short vertical lower or upper line («;» or «:» resp. on the keyboard) you can shorten/soften or lengthen/harden a letter/sound respectively.
a pause can be written with «,» and the end of a sentence with «.».
if you want to write numerals (you don't have to, if you want to keep it simple and minimalistic), you can write them with a preceding and subsequent «,» and then use the letters in between as numerals. like this: 0=a, 1=i, 2=p, 3=t, 4=k, 5=s, 6=h, 7=n, 8=m, 9=u («l» and «y» are not used). you can use the «,» also to separate numbers.
See more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
Another "little" font: only 1,5 bricks x-height (2 bricks for the upercase) with 2:2 filters. Inspired -just only the rounded aspect- by the great Frankfurter font, whose original (heavy) weight was designed by Bob Newman in the Letraset studio and issued in 1970. In 1978, Medium (the only style to include a lowercase, by Alan Meeks) and Highlight (by Nick Beishaw) were added. Inline (by Studio) followed in 1981. Our well know FSr escaphandro build Choripán, an excellent actualization of the classic font. BTW, my accents and other few glyphs must be improved. WIP.
Nebular is a space-age, all-caps sans serif typeface. It is bold; rounded yet angular. Great for headlines, quotes, and posters. It brings a fun bit of futuristic sci-fi to any design!