74136114
Published: 3rd October, 2009
Last edited: 4th October, 2009
Created: 1st October, 2009
My name is Geostruct Grotesque and I'm a typeface. I love grotesque and gothic type fonts, particularly with vertical exaggeration; so I set out with this in mind and here's the result. Love Trade Gothic & Univers Condensed.
http://type60.com/2009/10/geostruct-grotesque-a-typeface/This is a clone
10971129
Published: 2nd February, 2009
Last edited: 29th January, 2014
Created: 26th January, 2009
This is inspired by everything and nothing. Since the first brick, "FS Signo" was made for titles and other big letterings.
one of my main ideas to this was trying to combine classic and modern styles of type in one font... hm.
there's no lower case in construction, but numerals and roman symbols to follow.
feel free to download and use it :)
PS: the normal preview sucks. best watch it in pixelpreview...
9145888
Published: 25th April, 2009
Last edited: 9th June, 2010
Created: 19th February, 2009
this font was/is supposed to be my study project, which's also the reason for his name.
My absolute first attempt on constructing the complete extended latin set!!!
with "newton" i'm trying to get closer to foreign symbols and specialties. What lies closer to do this with my most legible typeface so far...
if you're interested, stay tuned :)
273987
Published: 16th June, 2013
Last edited: 15th June, 2013
Created: 8th May, 2013
Sasando Rote typeface is adapted from Traditional Musical Instrument from Rote Island, East Nusa Tenggara in Indonesia "Sasando". The sasando instrument from East Nusa Tenggara’s Rote Island has long been hidden and only visible in books, but the persistence of musicians from the instrument’s homeland is slowly bringing it to the fore. This typeface was made as tribute for indigenous art of music from East Nusa Tenggara.
381265
Published: 10th November, 2009
Last edited: 7th November, 2009
Created: 7th November, 2009
A Hybrid font based on the idea of the decay of the reputation of Islam in Western society since the media have taken grasp since the 9/11 and 7/11 bombings. This is a clone of Hybrid
470525
Published: 9th January, 2014
Last edited: 9th January, 2014
Created: 9th January, 2014
Long live Art Deco!
This is my second attempt at mixing classic "Vanity Fair" angles with industrial gothic sans titling. Kerning issues everywhere... but I really like those edges!!
1862114
Published: 25th July, 2013
Last edited: 25th July, 2013
Created: 25th July, 2013
Decorative, yet simple Neogothic type, with Capital letters, lower case, numerals and accents.This is a clone of Hieronimus
443263
Published: 17th April, 2008
Last edited: 20th October, 2008
Created: 17th April, 2008
Based on a 1920s gothic hand-drawn, san serif typeface. A real test of what fontstruct can do. Lowercase and punctuation to follow soon.This is a clone of Raster Figgy Gothic
1971673
Published: 22nd August, 2009
Last edited: 4th September, 2009
Created: 18th August, 2009
This is a very simple one..."Apollo" is dedicated to the English graphic designer, typographer and art director Neville Brody. A few days ago I read the book "The Graphic Language of Neville Brody" and while creating this font I realized that it looks a bit like a few typefaces he did back in the days.
Hope you like it, write a comment if you have any suggestions!
* = alt.A,
# = alt.$,
% = alt.j (less spacing)
321263
Published: 5th October, 2011
Last edited: 6th October, 2011
Created: 20th September, 2011
The perfect typeface for any 80's action film full of explosions, amazing one-liners, and plot holes galore.
212863
Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
60983
Published: 30th May, 2012
Last edited: 30th May, 2012
Created: 25th May, 2012
This font was created using a 9(row)X 3(column) pixel area. Its created slim and digitized.
151523
Published: 19th January, 2012
Last edited: 12th January, 2012
Created: 10th January, 2012
A set of two capitals created using only one compound of object on a larger bit depth. Each letter sequentially overlaps the other to create a thicker weight. However, in doing so every other letter would not overlap with the other, ie A with C, C with E, so on. So the other set was created by manipulating the first set, allowing any letter form to overlap with each other by switching between either capital or lower case.