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A retro-styled font inspired by Art Deco and classic computer fonts. Looks like something you'd see in a video game from the 1980's that's set in the 1920's. Includes over 1000 glyphs from Latin and non-Latin alphabets. Best for decoration and titles.
Credit appreciated but not required.
BOOK PRINT ORNAMENTS (TEXT BOX) — Text box ornaments for book print
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14 Ornamental box drawing sets aimed at creating those classic looking (text) box ornaments seen on vintage book covers.
Also in this family:
BOOK PRINT ORNAMENTS (CORNERS)
Monospace, single-case display font based on simple geometric rules. Starting with a square, alphanumeric characters are created only by rounding corners, adding a center hole, or adding vertical or horizontal slots, with few exceptions.
Expanded from a logotype designed for a portfolio piece- interesting for titles, headings, and other decorative use but too stylized to be legible in larger blocks (try it out though!)
Alternate glyphs are included in the "uppercase" set.
Strictly 8x16/8x8 monospaced arcade-style font inspired by Old Church Slavonic manuscripts and Cyrillic vyaz majuscules. Designed for all-lowercase body text with occasional all-caps headers, as in historical manuscripts- but works well with mixed caps.
500+ glyphs, including extensive support for accented Latin letters, world currency symbols, and custom Roman numerals, along with assorted dingbats and multiocular O scribal glyphs used in Old Church Slavonic in text referencing eyes.
Support for majuscule punctuation, more non-Latin scripts, and more extended Latin & dingbats possibly upcoming.
If you know any of the non-Latin scripts included, please let me know of any gaps/accuracy or legibility issues!
Changelog:
1.3.0 - Now with (basic) Greek support!
1.3.1 - Finished punctuation, archaic, & diacritical Greek glyphs
1.4.0 - Russian/Ukranian Cyrillic support + small dingbat additions
1.4.1 - Most Early Cyrillic glyphs added
1.4.2 - Old Church Slavonic support should be finished
Armenian support in progress...
To-do:
Bulgarian/Macedonian/etc. Cyrillic support
Armenian, Georgian, Coptic support
African, Cherokee, and Canadian Aboriginal script support
Hebrew support
Cassie is a Decorative font with connection brick forms with a connecting macaroni triline and connecting macaroni biline with a Straighten half snapped-stripes that give the font looks clean & rounded.
This makes for a more natural reading rhythm more commonly found in decorative types. This font was made by Swedish Type Corp.
Inspired by the Metallica logo
How to use the font
First letter- Upper case letters
Last letter- Lower Case letters
Middle letters:-
1=A 2=B 3=C 4=D 5=E 6=F 7=G 8=H 9=I 0=J !=K @=L #=M $=N %=O ^=P &=Q *=R (=S )=T -=U _=V ==W +=X /=Y ?=Z
Open to comments and suggerstions!
This font was made for a university project where we designed a typeface based on a chosen theme (Mine being rebirth)
I hope you enjoy my deconstructed abstract font which explores an alternative take on typography
blocky yet rounded feel. With decoration on the edges for some added fun. The hearts are also something i wanted to incorporate just because they are fun and why not. almost gives a christmas ugly sweater feel.
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
For my chosen theme Community (specifically biological community)
I decided to work with a worm/snake shape. Trying to figure out the final letter shapes during the creative process I got inspired by the snake game I'm sure everyone played on their old Nokia including me.
I observed the snake's movements in the game and created a typeface based on that. I would characterize my typeface as a simple combination of retro and modern at the same time.
Created by Nicole Rybáková as a first-year graphic design student at UWE Bristol Uni.
Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’