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Weaving Score is a decorative font for musical notation. You can make ornamental musical scores with this font. The correspondence of notation and keys are shown below. You can download the HD image from this link: https://www.dropbox.com/sh/j85c5253qh644or/AADN8-pft-lH2IF3GYiYEduga?dl=0
Home blends contemporary sans-serif characters, created using negative space, with ornate mosaic patterns to form a decorative display font in the style of kitchen tiles. Each character is unique - set against four identical patterned tiles. This typeface is very versatile and functional insofar as that it has the potential to be used in a variety of diverse settings such as magazine article headings, pottery and ceramic prints, wall-hangings and shop signage.
Inspired by a lace edged table cloth. Good for a word of greeting on a card for Easter (or Ostara, but you're a day late ;) so you best grab it for next year... ) It would be great to use on cards, labels, book bindings, for someone doing needlework, crochet, knitting, tatting, macramé, sewing, stencil work and similar paper or thread based crafts.
This is a clone of Kerbe2I've returned too late to make a special font for the Reversecomp. I already had changed some aspects of the "Lord Calendulos" version of Calendula set in the clone taken and finished this Lady version today. As my competition entry I flipped the Lady Calendula glyphs horizontally. This means my reversecomp entry font "Calendula Lady" can be used like a plane shadow when placed under Lady Calendula.
This is a clone of Lady CalendulaFirst there is a flourish, in which the beauty of progression is materialised through growth. Followed by distortion and an imminent spoil - I was inspired by this cyclic process.
Angles cant quite define this typeface, so 'Spoiler' as a decorative font chooses to ignore certain standardisation rules; each letter tries to recoil back into what came before.
The lettering, as I discovered through paper manipulation and layering, works organically off screen, for collage and mixed media poster design.
The word 'Messy' led me to consider my personal habits, especially my hair. Through exploring my own photography of hair arranged to form basic letter structures, I considered texture, shape and tone. Further research and discussion introduced a resmblance with 'Black Letter' type ie. thickness in line. Therefore, I combine hair aspects with the traditional typeface. I believe my creation successfully modified the well known font by introducing more complex curves while still acknowledging the original theme.
In this typeface, I have explored the idea of order and systematic design in an urban surrounding. Following the natural lines from the cement of a regular brick wall I have used the repetitive pattern and method to mark the outline to my type face. This font is primarily created for using in titles and headings rather than in a body of text as it is more impacting as well as visually striking and eye catching.
Display font. Built on the basis of a module: a pair of leaves. If you count the number of leaves in a letter, you get a lot, and if you count the number of leaves in words, you get a whole forest. Therefore, the font is called "Forest".
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52 characters for the basic Latin set, 10 numerals, 36 punctuation characters, 66 characters for the Russian language set
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Please let me know what do you think :)
My first fontstruction was inspired by Eastern Art at the Bristol Museum and Art Gallery. I loved the dragon decoration on the old ceramic pots in this section and have tried to portray a similar theme in my letters. (work in progress)
As part of my "First of month ..." series here is an outline font for July, ready to fill with juicy summer fruit and (ice) cream :)
Alternative letters with diacritics (free floating instead of attached, easier to read but less fun to look at;) ) are on the LC for French and German texts. An alternative 'S' which doesn't quite follow the construction rules but might be of interest, is on the LC 's'.
This type face is based off of the word decorate and the adjective decorative. Within the development of this design I took inspiration from embellishment and a craft style of working which is how the cross stitch came to light. This type is lowercase, it is meant for smaller bodies text. It will work best in a 12 or 14pt body as if the type is too small it will be difficult to see the detail. Though CrossStitchNS is probably not suitable for headers it would be perfect for texts such as invitations. I hope you enjoy this font as much as I enjoyed making it. x
Dehumanised is a typeface drawn forth from the deepest parts of a mind challenged by illness and intrusive thoughts. It hopes to create an avenue of expression through its bold, sans-serif design combined with a strong theme of slashing and debris. It was informed by the illustrative manifestation of anxious, angry thoughts cutting through simple day to day life and new ways to combine different versions of destruction into a dystopic yet coherent typeface.