253524
Published: 15th September, 2012
Last edited: 15th September, 2012
Created: 12th August, 2012
A design based off of the Old English Alphabet. Complete with letters used in Anglo-Saxon. Q represents "Ash (ae)". J and K represent "Thorn (th)" and "Eth (th)" respectively. Z represents the alternate forms of "s" used in older manuscripts. Capital Z is the "long s" and lowercase z is the "insular s". There is no V, however, F was used for the sound of V. W and G are replaced with "Wynn" and "Yogh" respectively. I created the letters with the simplest squares i could use with the smallest grid, so as to keep the file small in size and easy to load up.
54995
Published: 14th September, 2012
Last edited: 18th September, 2012
Created: 10th September, 2012
A lot of pixels. xD
This font was monospaced for a long time.
I'm going to be making this into a font family. This is the list of all of the entries:
1. Normal (You are here)
2. Bold
3. Serif
4. Bold Serif
5. Italic
6. MAYBE Italic Serif.
First I need to finish the numbers and punctuation on this one tho! xD
11769829
Published: 8th August, 2012
Last edited: 8th August, 2012
Created: 8th August, 2012
This is a more heavy font drawn on paper just like lots of others.
284899
Published: 27th June, 2012
Last edited: 29th February, 2012
Created: 13th February, 2012
Inny because they remind me of bellybuttons. It took FOREVER for me to make. Done for a class project, do with what you like! To look at more of my stuff go to nrodriguezportfolio.tumblr.com
6047421
Published: 19th June, 2012
Last edited: 19th June, 2012
Created: 31st May, 2012
Some glyphs might need changed, and I take suggestions as always.
1871075
Published: 18th June, 2012
Last edited: 15th June, 2012
Created: 8th May, 2012
Hi there! My font was criated by myself and it was kind of hard because it is my first creation! It is not complete, I only did the basic of the Basic Latin, but I will increase it on the future.
Well, have a good time and nostalgia playing and writting with it.
Tip: Use it as vector and play with colors! Make remember the lines of Invaders like in the game! And don't forget the ships!
60983
Published: 30th May, 2012
Last edited: 30th May, 2012
Created: 25th May, 2012
This font was created using a 9(row)X 3(column) pixel area. Its created slim and digitized.
1765712
Published: 6th May, 2012
Last edited: 14th June, 2012
Created: 15th April, 2012
HELLOOOOO!! It feels good to be back after such a long hiatus. This is probably one of the most incohesive and irrational fonts ever, but at least it's a try...
Zoom in to have a closer look at 'T', 'i' and 'j'. The spine of 'Z' seems a bit narrow but I can't think of a good solution. Also '`' (the grave accent) is meant for additional spacing for letters 'F', 'P' and 'Y' when in an all-caps context. Finally, this font is clonable (for once!) so you can see the mayhem involved. Be warned: I don't keep the "My Bricks" section well-organized so you might see random junk and repeated composites(:
342777
Published: 22nd April, 2012
Last edited: 22nd April, 2012
Created: 20th April, 2012
A Blackletter Runic font based on the New English Runeset. Much runes here, plenty for enthusiasts! *A NOTE ON PUNCTUATION: ? = runic initials 'F'+'T' for 'Freyntoeken' (means 'inquisition token/sign'), ! = 'A'+'B' for 'Autberstoeken' (means 'outburst token/sign'). & = 'et' and harks back to the traditional Latin ligature. However a purist justification can be than it is infact a contraction of 'unt(and)' - still commonly used throughout Northern England (home of Old English scripture) in the form of 'un'. The number of dots for the various clause seperators indicates duration of pause.
177348129
Published: 10th April, 2012
Last edited: 8th May, 2012
Created: 31st March, 2012
dm 04
This is the 20000th FontStruction! meek, you must be proud. Your website, up to 20000 fonts! I have been
working on this for months and I believe it to be my most advanced work yet. Yes, my avatar was made with this a. Also, it's clonable.
I originally made this work under adl, but I left the account. So I got to do the very exciting task of having two fontstructor windows open at once and transferring the font from adl to demonics glyph by glyph. Oh, and I forgot to paste djnippa's tool in there first, so now I have hundreds of composites lying around in no order whatsoever. Silly me.
Wow, S v y are ugly. I'll need to fix that. Well, that's that.
Spacing is also a bit off and the font looks horrible in Word, for some unknown reason. I'll work on that issue.
I'm proud of myself because this is my fourth attempt at a large-scale faux bezier font and it might just work.
Lastly, the font's name progressed like this over the 6+ months I've been working on New Humanist:
New Humanist Rounded
New Humanist Bold
+new humanist bold
dm New Humanist
Just a fun fact.
Anyway, serif and non-rounded versions coming soon!
Cheers!
dm
94106922
Published: 20th January, 2012
Last edited: 7th July, 2011
Created: 14th June, 2011
Forgotten Fonts 4 Circulation // I'm looking through my font library at my many Forgotten Fonts to see how many should have been released.
141252647
Published: 18th January, 2012
Last edited: 18th January, 2012
Created: 22nd December, 2011
A selection of the legends in classy-footwear. Feel free to clone and remix
17175538
Published: 9th January, 2012
Last edited: 16th January, 2012
Created: 12th September, 2011
I wanted to make a vertically heavy font, and what better sources of inspiration than Arabic script and Western typography. I think it made a good mix; it seems very desert like.
163187638
Published: 24th December, 2011
Last edited: 4th January, 2012
Created: 22nd December, 2011
Typeface based on the work of Victorian Designer and Architect E. W. Godwin (1833-1886) born in Stokes Croft, Bristol. He was influential in the Aesthetic movement that created "the look" of Victorian Britain. He began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic Movement and Whistler's circle in the 1870s. A friend of Oscar Wilde, James Whistler and William Burges he was also the father of revered actress Dame Ellen Terrys illegitimate child. Godwin's influence can be detected in the Arts and Crafts Movement. To judge from his sketchbooks at the Victoria and Albert Museum, one might have expected an eclectic historicist, but Godwin, by no means a tame reproducer of antiquarian Gothic designs, was among the first to extend the European design repertory to include the arts of Japan, which had been opened to the Western world in 1853. His work is undergoing a revival since he was jokingly adopted as the patron saint of Stokes Croft by community action group the Peoples Republic of Stokes Croft. The group aim to to put some of his finest architectural achievements in the city back to good use as many of them despite being buildings of some historical significance lie empty and unused. His design work is being reincorporated into the urban landscape through the community organisation's programme of public art and his style has recently been adopted by a number of Street Artists including Dones and Felix Braun so his work is undergoing some kind of a revival.The glyphs are all based on the patterns from his sketchbooks.
166255
Published: 11th December, 2011
Last edited: 11th December, 2011
Created: 11th December, 2011
Pixel typefaces based on the embroidery patterns in the Sajou Albums.
160684
Published: 10th November, 2011
Last edited: 10th November, 2011
Created: 3rd November, 2011
Clone of Pixel Serif Large. First non-pixel serif, and it has a few mistakes. I could use some help with b, c, e, g, 1, and especially 8. It also looks a bit odd at some sizes, so don't judge it by the sample size.This is a clone of Pixel Serif Large
14376949
Published: 31st October, 2011
Last edited: 1st December, 2011
Created: 31st October, 2011
I am a first year student at the University of the West of England. Our first project this year was to design a typeface based around a word of our choosing. I opted for ‘Pompous’, as it stood out to me from the list. During the project I visited Bristol Cathedral several times, and spent time in and around Bridgwater, looking at anything that I found to be pompous, such as cast-iron work and Baroque architecture. My final design is influenced by Gothic typefaces and raised lead tombstones/plaques. The name ‘Delectatio Morosa’ is Latin for peevish delight, which I discovered whilst looking at different Latin phrases.