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OVUNUQUE NOI SAREMO - BIANCONERI!
A Tribute to Internazionale Milano FC Font from the late 2010s and mixed with the Modern Germanic Blackletters around the 1950s. Here's the first blackletter font I made in my spare time...
This whole font is free to use, cause it's my first font to use for this site. Feel free to modify, share, or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!
'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.
calligraphy + techno
See more:
https://fontstruct.com/fontstructions/show/1236328/sawhorse-4
Textura Filamenta, the unusual effect of writing Textura Reticulata with a ballpoint pen, or a nib half the traditionally-used size.
This is a clone of Textura ReticulataTextura Reticulata, my first font. I began with the intent of replicating my own textura quadrata calligraphic hand, but decided against approximating the heavily-rounded majuscules with small line segments and ended up mostly inventing a majuscule set. I feel like the minuscules are a good approximation. The Ogham set are, of course, what you would expect to get if transcribing them with a roundhand nib. And I made use of various unused unicode slots to add some non-canonical Ogham characters for one of my own projects.
Alternative a and e
See more:
https://fontstruct.com/fontstructions/show/1749711/zinople-eye-fs
https://fontstruct.com/fontstructions/show/1307297/mainz-c
https://fontstruct.com/fontstructions/show/796700/lombard_2
This is a clone of zerbeer eYe/FShttps://fontstruct.com/fontstructions/show/796700/lombard_2 http://www.myfonts.com/fonts/fsdesign/ytoxina/
http://www.myfonts.com/fonts/dima-pole/getman
https://pikabu.ru/story/ goticheskie_shriftyi_istoriya_raznovidnosti_instrumentyi_dlya_napisaniya_dlinnopost_4610139
See more:
https://www.fontstruct.com/fontstructions/show/1706633/you-take-me-1
https://www.fontstruct.com/fontstructions/show/1015188/refrak_1
https://fontstruct.com/fontstructions/show/1548954/stf-las-texturgas
https://fontstruct.com/fontstructions/show/1035841/fs_myrobalaena
https://fontstruct.com/fontstructions/show/458022/pannonica_1
https://fontstruct.com/fontstructions/show/462676/pannonica2_1
https://www.myfonts.com/fonts/canadatype/leather/
https://www.myfonts.com/fonts/canadatype/blackhaus/
https://fontstruct.com/fontstructions/show/265217/beagle
https://fontstruct.com/fontstructions/show/1371228/present-day-gothic
https://fontstruct.com/fontstructions/show/1424521/blackletter-buffoonery
Else:
http://www.myfonts.com/fonts/storm/moyenage-sans/
https://fontstruct.com/fontstructions/show/223452/carremond
https://fontstruct.com/fontstructions/show/95853/quadrat
https://fontstruct.com/fontstructions/show/1020155/minotur
https://fontstruct.com/fontstructions/show/168979/esque_03_1
a pixelated unicode font that can be read at small sizes.
14 sept '22, 17:47:11 hkt / massive update. added coptic, spacing modifier letters and improved readability.
post soviet font
This blackletter-style monospace pixel font is a recreation of the original main font from in the SNES action game ActRaiser 2.
The character set of Tanzra includes a vast array of additional diacritic variants, numbers, bonus characters, unique glyphs, and also full sets of the Japanese hiragana and katakana alphabets and other Asian glyphs from the original Japanese version of the game. Every character that doesn't pop up in the game has been designed to match the look and feel of the base characters.
I recommend to use this one with font sizes that are multiple of 15pt and avoid any font smoothing or anti aliasing methods.
~ Tanzra by Caveras - a font recreation based on the original font from the SNES game ActRaiser 2, developed by Quintet and released by Enix in 1993. ~
A blackletter font charted from historic French cross stitch book Maison Sajou Miniature Album no. 6. The J and W have been added (at least, I think the letter in the original was an I, so I made a J to match). The spacing of the white dots and the top left flourishes on most of the letters are weirdly inconsistent.
The pattern was found at http://patternmakercharts.blogspot.com/2009/12/sajou-no-6.html
LITERA FACILIOR GOTI ― A 'Blackletter' script style with a twist
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Also known as Gothic script, Gothic Minuscule, or Textura, was a script used throughout Western Europe from approx. the 12th untill the 17th century.
This FontStruction was aimed at mimicing the aesthetic approach of a ― ‘Textura’ variant of the Gothic Minuscule script style, more accuratly refered to as ‘Littera Textualis’. This style is most characterized by its strong sturdy letterforms, with distinguishing sharp, straight and angular features as oposed to the other variations in this catagory.
In terms of authenticity to the original predecessing formal script family, my ‘Litera Facilior Goti’ didn't took a whole lot of care for authenticity. The idea was to take a more independent and experimental approach to shaping the letters and forms, so it wasn't necessarily inspired by any specific typeface in particular, it rather recycles certain characteristics of a ‘Textualis Quadrata’, but beyond those aspects of general guidelines it evolved on its own.
Some of the areas where the design tends to really stray away from the tradition is for example the serifs:
It's often that I have some trouble with the weight ratio distribution of serifs and such elements in simplified modular based geometric Blackletter fonts. In many of such designs they tend to have been left pretty static and equal in thickness throughout the full character set. Which I think is often either having some letters look clumsy or even weird, and generally speaking also often making them appear too thick.
So this was one of the things I had to try and adress, I experimented a little with the style and forms of the serifs. Eventually this resulted in multiple deviations in variety to mix and create a more dynamic distribution. similar to what was done in less formal scripts. Over time they became ever further simplified, letterforms that involved less reorientation of the pen, in pursuit of styles that were quicker to write.
But taken as a whole typeface I find that it is having this certain ‘random-ish’ characteristic that is simply working for the better of these particular style fonts.
I'm still working on improving its overall rhymes and reasons to a certain point that is acceptable, balanced and with enough consistency. But up to this stage I personally think that the concept worked out quite successfully so far. And that even despite the fact that its stripped down of most ornamental decorative calligraphic extravaganza, it still managed to capture a convincing portion of that ‘Medieval ’ looks and personal flavour.
But I think that in the end this became a pretty neat looking font and it would classify somewhere between a hybrid mix of simplified Blacklettering and a drunken man's ‘Textualis’.
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Cheers!
This is a clone