Searching for more “Round” fonts?
Buy and download “Round” fonts at MyFonts.
Version 0.2: Improved all glyphs, added More Latin, changed name to "Letsago".
TODO: Make line widths more consistent, especially on numerals.
*
A friendly, but slightly obtuse font. I think these polygons are the smallest and simplest ones which can be made with stock FS bricks and used to create glyphs with a truly circular appearance. This only works up to a certain size before the look reverts to that of a polygonal sans-serif, but it works very well up to that point!
This is the culmination of knowledge gained from several other experiments, such as Marginalia. It should be very difficult to make a smoother font from this at the same grid size while still using stock FS bricks.
Some kerning is done, but the majority of it will be done once every glyph is considered to be perfected. For now, you can use vector software (like Inkscape) to manually kern pairs.
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
The next step from Starast Maxi.
Inspired by wildlife in the garden. A fun slightly crazy design for spring time. There is a bit of variety in the heads, depending on the species of butterfly that will emerge :)) Toukka is Finnish for 'caterpillar'.
Work finished for the moment ...
This font was inspired by crockery decorated with a name which I saw offered in a car boot sale. My font's UC has delicately decorated glyps, visible before food is placed on the plates; LC shows plates after the meal, with food remnants covering/filling parts of glyphs ;)
This ornate typeface was designed with the intention to give every part of a letterform some curve. The end result was a typeface that mirrored the rounded shape of old-fashioned wood spindles like one might find on an antique dinning chair or an elaborate staircase in an ancestry home. Spindles like these were handcrafted and born from the finest lumber a proud wood worker could find. This same type of pride went into the crafting of Simple Spindle.