In this typeface I have tried to represent a noise without using soundwaves.
Based on the word Thunderous, this font represents a storm. The pointy edges of the letters and their disformed shape are supposed to represent the loud and violent noise made by thunder. The lightning is a mean to show the activity of the sky during a storm but it's also a way to make the link between the font and the storm.
The font is designed for attention grabbing headers.
There are 3 other versions of this font: Thunderstorm Inverse, ThunderStorm Black and ThunderStorm Mix.
A modern take on American-style sports fonts. Non-inline letters are lower case, and other characters are gained by holding shift on a UK keyboard, i.e.
1=!, 2=", 3=£, 4=$, 5=%, 6=^, 7=&, 8=*, 9=(, 0=), -=_, .=>, '=@
This is a cloneA script-inspired monospace, mathematics-oriented, angular, unicase (mostly) typeface. Partially inspired by OCR typewriter fonts (only 90/45 degree angles).
(Still working out the n/u similarity, but context provides differentiation.)
A typeface based on the text of Dummy Lyrics's logo.
Dummy Lyrics is a rock band based in Fukuoka, Japan. I do not belong to it; I'm working for them as a freelance translator and English lyricist, and designed their logo. Since this font is based on that, I can't allow commercial use, but you're welcome to any amount of personal use as long as you credit me.
If anyone knows of any way I could improve the kerning (some letters should almost slot together) I'd be very grateful if you'd let me know.
This typeface is based around the word SYSTEMATIC. Systematic is something that is acted upon according to a set plan. The main inspiration for this typeface has come from Harry Beck’s London Underground Map. First published in 1933, Beck's map has now been used to show many different transport routes for different cities across the globe. The typeface itself is very angular and includes very little curves throughout. Although the letterforms aren’t reflective of any geographical locations, each letter reflects both the stations and the railway lines from Beck’s map.
Atticus is a sophisticated, linear typeface that is versatile in its use. The lack of curves gives it a sleek, angular feel, yet its 3-dimensional look makes it bold and fun. Atticus is a headliner type and is guaranteed to grab your reader's attention.