60983
Published: 30th May, 2012
Last edited: 30th May, 2012
Created: 25th May, 2012
This font was created using a 9(row)X 3(column) pixel area. Its created slim and digitized.
60900
Published: 19th February, 2012
Last edited: 13th February, 2012
Created: 8th February, 2012
An all Caps display font.
Want to be more creative with this font? Download Punch-Out CAPS~Dots: http://fontstruct.com/fontstructions/show/punch_out_caps_dots
70970
Published: 19th May, 2009
Last edited: 4th June, 2009
Created: 19th May, 2009
This is just a 'test' font where i figured out how to do diagonals et cetera.
380261
Published: 16th April, 2008
Last edited: 17th April, 2008
Created: 16th April, 2008
Based on a 1920s gothic hand-drawn, san serif typeface. A real test of what fontstruct can do. This is the raster version.
321263
Published: 5th October, 2011
Last edited: 6th October, 2011
Created: 20th September, 2011
The perfect typeface for any 80's action film full of explosions, amazing one-liners, and plot holes galore.
212863
Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
153771
Published: 25th June, 2009
Last edited: 26th June, 2009
Created: 24th June, 2009
A 7 LED high instructional typeface to replace current type on LUAS Transport in Dublin, Ireland.
http://sefsar.com/index.php?/sarhan-px1---typeface/This is a clone
273987
Published: 16th June, 2013
Last edited: 15th June, 2013
Created: 8th May, 2013
Sasando Rote typeface is adapted from Traditional Musical Instrument from Rote Island, East Nusa Tenggara in Indonesia "Sasando". The sasando instrument from East Nusa Tenggara’s Rote Island has long been hidden and only visible in books, but the persistence of musicians from the instrument’s homeland is slowly bringing it to the fore. This typeface was made as tribute for indigenous art of music from East Nusa Tenggara.
110981
Published: 25th October, 2011
Last edited: 25th October, 2011
Created: 25th October, 2011
Just like Simple Type Plain only this has a bubble-like property.This is a clone of Simple Type Plain
40981
Published: 8th April, 2011
Last edited: 8th April, 2011
Created: 6th March, 2011
This font features thick lines and round edges. I have tried to maintain uniformity and offer all decent font, but I find that some characters are out of sync with the rest. Do advise me how to rectify this and make it completely professional.
180972
Published: 11th September, 2010
Last edited: 11th September, 2010
Created: 9th September, 2010
Finally with alot of help from Thalamic. This is what I call "sn Spores".
61830
Published: 19th January, 2012
Last edited: 9th January, 2012
Created: 4th January, 2012
Typeface created with an emphasis on articulating ends with points. In conjunction with this a rhythmic harmony of a line width.
Created for a typography class, the project spanning roughly one week.This is a clone