Based on the 1981 Lady Bug game typeface. Lady Bug is an insect-themed maze chase video game produced by Universal Entertainment and released in arcades in 1981.[3] Its gameplay is similar to Pac-Man, with the primary addition to the formula being gates that change the layout of the maze when used.
https://fall-from-typeface.tumblr.com/post/648999913275965440/lady-bug-1981
First designed for the Rare AF2 event, Rare Art Festival, about most innovative projects in the realm of cryptoart, held in New York:
18th May 2019 / Bushwick Generator
215 Moore Street / Brooklyn, NY 11206
Then expanded in october 2020 with lowercase set of glyphs for Adoption:
https://twitter.com/adoptionNft
Adoption is an artists-run cryptoart gallery. Spreading nft and blockchain adoption.
https://beta.cent.co/mattiac/+ld4q09
This is the halfone version.
See more:
https://www.fontstruct.com/fontstructions/show/1677460/garry-3
https://www.fontstruct.com/fontstructions/show/1633313/detour-3
https://www.fontstruct.com/fontstructions/show/1742956/transom-hoog-1
https://fontstruct.com/fontstructions/show/853542/at_liena
Improved version of Wim Gestreept, I reworked proportions and character balance.
Inspired bt the works of great Wim Crouwel and striped sports jerseys. Also a study in 45 degrees diagonals, happily provided by fontstructor and master Goatmeal. Basic latin support and a few ligatures.
This is a clone of Wim GestreeptThis one feels like it's been a long time coming. Surprised it only took me two and a half months to get all done, and half of that was it being on the backburner. A good, solid font with a futuristic slant to it. All Latin languages present and correct, as ever.
A font made to be very economical.
This design uses as few unique shapes as possible. In addition to extensive rotations and flips (see AR, EMW, FL, GJUV, IHKT, NSZ25), glyphs are made so that they can be cut down to make other glyphs in as few cuts as possible (see BEI, used to make ACDFLMNOPRSWYZ1235689). Some other glyphs (see QX.,) then make use of the cut parts.
This means that, were these letters to be physically made, the maker would only need a few forms to start with and could cut the rest in only a few steps.
The name was chosen because of both a running joke between friends and because it was the coolest-looking phrase I tried when I auditioned the font.
By request, "a font that looks like a hybrid of Greek and Latin".
This is designed to be modular. UPPER CASE contains the standard glyphs. Alternates are on the lowercase as well as the More Latin band.
"Novus Graecorum" means "The New Greek".
Supports Dutch, English, and Greek!
A typeface design that was inspired by a poster designed by chuck Sperry for Kraftwerk, at the Paradiso, Amsterdam back in January 2015.
I don't know if this already is a existing font, but I don't really care.
The letters on the poster simply kept begging me for a digital recap.
Enjoy.
RIBBON is a font designed to emphasize the little details in life that make things better. Originally just a doodle, the typeface evolved through many different styles and looks, before finally settling on the “folded” look, using sharp corners on letters and folds, the way a letterform would look if one really wanted to make it out of ribbons! I hope you enjoy the font and put it to good use on special occasions!