Possibly the last entry in the Derpberd family: A font which looks like the original Derpberd at pixel size, gets fuzzy at larger sizes, and finally reveals its racing-esque checkerboard pattern once you've enlarged it enough.
Original size: 5pt (use multiples of this value for pixel perfection)
This is a clone of DerpberdA 2x2 design which started with a "split" aesthetic and ended up with a "stenciled" one. I embraced the change and now all these glyphs are functional as stencils. They contain minimal stacking and no composites.
In some cases the inside is connected to the outside at only one point. If you decide to use this for stencilling, I recommend using a stout material for the stencil and storing it with care.
The name comes from one of the many, many old joke bands which I created.
Recommended: Use with kerning turned on!
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)A clone of Marengi with some brick-substitution and filters applied. Has a "rightward" momentum that seems to push my eyes along as I read, as well as a connectedness which makes words seem nice and solid despite being segmented.
This is a clone of MarengiDresde Serif displays chiseled uppercase and flared terminals to give extra sturdyness.
This is a clone of Dresde Sansa(b)cd / e(f)gh / i(j)kl / m(n)op / q(r)st / u(v)wx
2007 Dec 31
This is a clone of epetytyAAD48iV1.1: The More Latin is in progress.
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Another doodle... Well, shall I continue this one?
I sort of designed myself into a corner with the uppercase, by not using the same grid size as the lowercase. But, this choice led to an interesting and unique look so I'll keep it.
A chimera (fusion) which combines inline-versus-outline, maze, Gemscript, and other techniques to produce a timeless look.
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Original size: 6.75pt (use multiples of this value for pixel perfection)
Design Rules:
1. Square bricks only.
2. A 1px soft border of negative space must exist between lines whenever possible.
3. Glyphs must fill the 9x9 grid to the greatest extent possible given the rounded style.
4. The set of glyphs shall be a heterogeneous mix of symmetrical and asymmetrical forms.
5. Negative space will replace positive in any situation wherein the small grid size or the geometry of a letterform would be detrimental to the chosen style. This includes all situations where any shape lacks at least a soft 1px border of negative space around it.
See also: Terran Pixelcruiser
This is some random set labelled "BX_1" from Peter Kofler's web site. I don't know what game or software it's from. I just remember I made a bitmap font of this years ago with "Fony". Now it's a TrueType. Do with it as you will :)
Pavos real means peacock in Spanish. I think this is an excellent name for the elegant serif font. I will make more Latin and Cyrillic(Russian). Greek lower case letters are simply too script-y . It will be tough making them. That's all.
Enjoy -JY
so I was scrolling down my fs page and I found this font i made before. And I realized that i promised to make cyrillic which I didn't. I made cyrillic now.
-JY 2019/1/26
The Zephiest of designs - a gaggle of Roman columns with gongs stacked on them.
You know how in fcition 'magic symbols' have magical properties, somehow? Well, someone had to make them, right?
Here are some 'magic symbols,' but it's the alphabet. Also, a little Sci-Fi in there, too.
I tried to make each letter look more or less unique, but I took some shortcuts.
I may do lowercase someday.