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A typeface inspired by American typefaces from the 1800s and the Art Deco-styled coffee shop I visit often in Des Moines, Iowa.
Combining a slab-serif, expanded typeface with ornate detailing brought challenging consideration to the legibility of the font. It’s used best for short, bold messages or an energetic initial cap.
Welcome to the Future...
Dramatics aside, QUANTUM is a visual display typeface designed to convey one cyberpunk future out of many.
It is intended to be built as a monospaced font (however, spacing errors occurred, and it is a faux-monospace as a result), made on a 9x10 pixel grid out of a personal fascination with the vision of the cyberpunk future according to the 90s and a desire to capture the "spirit" of the original Sony PlayStation. One of the leading sources of inspiration is the work by The Designers Republic (tDR).
This typeface not only features Latin characters, but also Cyrillic, Greek, and even a few Coptic characters for good measure (in hopes of easing in the old world into the future)
I was playing with tiles and designed this font as units to create visual texture. Hiding letters in them came to me by accident when I did an overlay instead of a straight copy-paste. The letters are pleasently difficult to see - but for tiling interesting units in large sizes this font should be suitable.
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
Decorative or Cyrcus font? Just a simple font with Cyrillic. Track changes (short slider) for connecting letters. Bala is the first part of the word balalaika and Balagan, an early Russian cyrcus or an open-air theater (https://ru.wikipedia.org/wiki/%D0%91%D0%B0%D0%BB%D0%B0%D0% B3% D0% B0% D0% BD)
See more: zylone 0,6 EYE / FS
http://www.psyops.com/crucible/
https://fontstruct.com/fontstructions/show/479802/effigy
TSA
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1720896/goldie-2
https://fontstruct.com/fontstructions/show/1411844/fs-quickconnect
https://fontstruct.com/fontstructions/show/1419531/disco-everyday-value
https://fontstruct.com/fontstructions/show/1410025/neoline
https://fontstruct.com/fontstructions/show/1418818/crocosmia
https://www.fontstruct.com/fontstructions/show/1669601/funkytown-plain-1
https://fontstruct.com/fontstructions/show/1762037/lotline
***Did you see the HORNS?***
Playing around with octagonal shapes. One child of this phase was "Zapotek", which Xenophilius mentioned completely right. Another one, beside some others , is this one. Somewhere in the back of my head this is inspired by the wonderful "fs Kronos" by will.i.ૐ. Not so much in it's look, but in it's heroic, oldfashioned feel. The feel it's purpose is decorating an epic fantasy novel :) I hope the upcoming sample can make this clearer. Enjoy