The name is Diamond Cut. It is a blocky, sharp font. It is designed for videogames and anything you want to look big.
An alternate take of Diamond Eyes with circles replacing the 2 smallest diamonds. No brickswapping used - many diamonds shared bricks so I had to place the circles by hand. This permutation introduces more texture, solidity, and complexity to the original. Hope ya like it!This is a clone of Diamond Eyes
An experimental 15-segment display which looks rather like a fence.
There's no DE-FENSE against DE-FENCE!
See also:Lonewolves Guild
Nirvanite Fossil with round shapes changed to diamonds.
I think this one is the toughest to read in the family - even harder than Nirvanite Pixel. Oh well!This is a clone of Nirvanite Fossil
A pixel font disguised as a high-resolution one. It's a pretty effective disguise thanks to the gaps between bricks.
I was making some new bricks to add to Brick Basket when the idea of a segmented display made from composites occurred to me. The result is this experimental 25-segment display.
This achieves some interesting "double line"/"folded line" effects. It also gets some pecuilar distortions at smaller sizes.
I built diamonds sized according to the Fibonacci series, then made a segmented display out of them. The design was then carved away to make the glyphs you see here. I used the members 1, 2, 3, 5, and 8. These sizes proved most feasible to work with in this sort of arrangement.
I gave the terminals a flared appearance which I think makes the glyphs look slightly Celtic. The design also makes me think of beach sand and things found on the beach - shells, pretty rocks, and so on.
Made via subtractive methods.
An experimental 25-segment display. This one is also made to produce various optical effects at different sizes.
Experimental 37-segment display. Space pirates met crystalline aliens, their children made a segmented display, and this is it.
Now with lowercase!
What's the matter? Don't you like square bricks? :D
Yet another polygonal font, this time a diamond. :^)
This one was also designed to combine symmetry and asymmetry. Some letters have central lines and some have offset lines. In this way a greater variety of designs was made possible.