A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.
Not a font but a fast way of getting a whole word written with the touch of one single keyboard key.
CHRISTMAS / YULE in several languages, using the Latin alphabet. Ideal for use in play groups etc. Great for printing, cutting out and then decorating the letters ;)
French
German
Dutch
Danish/Swedish/Norwegian
Spanish
Welsh
English
Hungarian
Portugese; Gujarati, Marathi, Indonesian
Finnish
Maori
Italian, Corsican
Breton
Greek
Icelandic
Hindi
Sanskrit
Irish, Gaelig
Japanese
Esperanto
Latin
Turkish
Scots
Decorative, ArtDeco-ish all uppercase font for TwentiesComp. Got carried away and added Cyrillic too ;) Enjoy!
TUBULAR LUMINII - Rounded inline display sans
◇◆◇ ❒ CONCEPT ■ ■
⇛▸⇛ Font that mimics electrical gas-discharge tubes (Neon)
◇◆◇ ❒ BACK STORY ■ ■
A larger potion of the Neon-fonts that are found on the web often have these quite strong emphasis on their decorative design aspects, and a lot of them come in elaborate looking complex styles and form. Besides the numerous optional different personalized conceptual decorative elements implemented into the design, many typefaces also regularly use more commonplace modifications such as; ▸multi-linear, incisions, patterned etc.
◇◆◇ ❒ THIS FONT ■ ■
Instead I went with a clean, simple basic geometric letterform, one that is essentially mono-linear at it's core. The one major key element that I have incorporated to the concept is that unmistakable in-line stroke. This was done to give it more of a convincing 'tubular'-concept as is the case with a real neon gas tube.
The other less pronounced but nonetheless fundamentally important design feature are the closed stroke-endings. Apart from being this extra little personalized element, it also suits a technical purpose. That of which is; "To fully preserve all 'in-lined'-negative (white) space in full isolation". This enables somewhat easier 'end-use' access to layer atributes or compound paths in graphic design software.
◇◆◇ ❒ FS TECHNICAL ■ ■
It's constructed mainly of connector bricks and a set of custom composite bricks, expanding FS's default connection brick set. Enabling greater viariational depth and complexity for custom shaping.
◇◆◇ ❒ FS METRICS ■ ■
❖ ❖ Metrics ⇒ 〔measure in ⇒square grid units〕
〘▸〙〔Glyph Metrics〕
○ Brick Size Filter: ~ 2 : 2
○ Cap-Height: ~ 4.5 ✕ 4.5
○ Ascent / Descent: ~ 0.5 ✕ 0.5
〘▸〙〔Font Metrics〕 ❖ ❖
○ Font Size: ~ 7.5
∗ Full Em square (incl. ⇒ symb. & punct.)
More soon..
Cheers
This is a cloneOutlined typeface. The result was pleasantly vernacular. Now with a “fill” companion.
See more:
https://fontstruct.com/fontstructions/show/592929/squareup
https://fontstruct.com/fontstructions/show/196641/gaga_stencil
https://fontstruct.com/fontstructions/show/1501135/lazzaro-1
https://fontstruct.com/fontstructions/show/1699935/skvorec-1
https://fontstruct.com/fontstructions/show/722512/teris_4
https://fontstruct.com/fontstructions/show/559344/murus_1
https://fontstruct.com/fontstructions/show/1592394/tiles-9-3
This is a clone of De Stijl CThis is one of the ways I've always wanted to use layering in Fontstruct. Finally, it's possible :) Just a quick font to test the new feature - a grey shadow (ligh source from left to right) that is cast on inner white space of the letters.
P.S. I won't be able to sleep today, so many ideas to test... Thank you, Rob!
A font made by request for a certain Augmented Reality Game.
It is a functional blueprint - not meant to be used as-is, but designed to be embellished. Color it in, put effects on it, or whatever else you want. In this way the font can remystify itself and achieve distinctive looks which require particular art techniques to reach.
Fictional aliens' attempt at the Latin alphabet. The sticks and stems are repelled from the open parts of the letters. The result looks sort of like a hybrid of Latin and Korean!
*
Original size: 8.25pt (use multiples of this value for pixel perfection)
Design rules:
- 11x11 grid.
- Square bricks only.
- 90° angles only.
- 100% constant height.
- Forms must fill grid space as much as possible without becoming unrecognizeable.
Alternative a and e
See more:
https://fontstruct.com/fontstructions/show/1749711/zinople-eye-fs
https://fontstruct.com/fontstructions/show/1307297/mainz-c
https://fontstruct.com/fontstructions/show/796700/lombard_2
This is a clone of zerbeer eYe/FS