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The bold weight of Ari-W9500 Condensed.
This is a clone of Ari-W9500 BoldThe extra-bold/black weight of Ari-W9500.
This is a clone of Ari-W9500 BoldThe extra-bold/black weight of Ari-W9500 Condensed.
This is a clone of Ari-W9500 DisplaySee more:
https://fontstruct.com/fontstructions/show/2361576/htg-futuroid-1
This is a clone of Pattaya MonoSee more:
https://fontstruct.com/fontstructions/show/356612/ztarsky_rnd_eye_fs
https://fontstruct.com/fontstructions/show/1800284/rubber-block-2
https://fontstruct.com/fontstructions/show/2250036/test11-12
https://fontstruct.com/fontstructions/show/422147/tessa_7
This is a clone of Hi-loSee more:
https://velvetyne.fr/fonts/tiny/
https://fontstruct.com/fontstructions/show/2133172/penoplast-1
https://fontstruct.com/fontstructions/show/1680452/lcd-dot-c
https://fontstruct.com/fontstructions/show/1967683/brut-rings-1
https://fontstruct.com/fontstructions/show/1701780/minimallow-1
This is a clone of Nothing FontWIP
See more:
https://fontstruct.com/fontstructions/show/1500535/contortion-c
https://fontstruct.com/fontstructions/show/1577341/zoftly70-eye-fs-3
https://fontstruct.com/fontstructions/show/2256589/sidetracked-6
This is a clone of zimonart R eYe/FSWIP suggestions welcome
This is a clone of zeronda eYe/FSAn original Art font that uses the tops, bottoms & sometimes middles of a font to communicate the character. This requires users to read texts as opposed to scanning them, but because visual cues are available it is still legible.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated.
Categories: Abstract, Art, Logotype, Poster/Display & Novelty
Type: Sans Serif Stencil
Weight: Heavy/Black
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font name & update docs).
Redistribution: Encouraged
Fontstruct is this font's development home, though if development is occuring simultaneously, the available font may have a few errors as I work things out:
https://fontstruct.com/fonstructions/show/1509250
Short Link: https://w3n.us/blownoutdev
The official documented release font archive is on Font-Journal:
https://www.Font-Journal.com/fonts/13444/blown_out.php
Short Link: https://w3n.us/blownout
Submitted to Google Fonts April 10th, 2018:
https://github.com/google/fonts/issues/1528
Short Link: https://w3n.us/1528
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
My branding & marketing Co.:
https://www.SymbioticDesign.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a clone