A tribute to Belgian modernist artist "Jozef Peeters" (Antwerp, 1895 - 1960).
He is probably best known for contributions to legendary Belgian avant garde magazines "Het Overzicht" and "DeDriekhoek".
The alphabet I made is based on the letters seen on the folder art for his 1921 linocut portofolio.
(I made use of a couple of lower case letters to make slight variations similar as seen on the original artwork but most lower case are simply copied from the upper case letters.)
Just a really blocky font inspired by the many abstractivist typefaces of the 1970s. I based it off of a logo I made once, and it definitely isn't perfect (like seriously, as much as I try, I just can barely get the darn Y to look like anything remotely recognizable!)
EDIT: for some reason it doesn’t look very good zoomed out, so I would highly recommend zooming in before making up your mind about it.
Re-creation of Technik®, a one-weight typeface originally designed by German design studio Bionic Systems™ in 2001. This re-creation contains 2 weight : Technik® Display, best for titles, and Technik® Text, best for small text.
This is a clone of Technik® DisplayRe-creation of Technik®, a one-weight typeface originally designed by German design studio Bionic Systems™ in 2001. This re-creation contains 2 weight : Technik® Display,best for titles, and Technik® Text, best for small text.
By request, a "junk font". Looks pointy, glitchy, fuzzy, janky, grungy, burned, rusty, distressed by power tools, or some superposition of ONE OF THESE OR MORE, depending on the size used and the rendering effects (antialiasing, smoothing, etc).
Rather than force the letters into convincing classical forms, I focused on making sure each letter was thoroughly scrambled. This design could in theory be used with an image-recognition script in order to be put to cryptographic uses... the result would be fun, but not very efficient or crackproof. UC is the same as LC, at least for now.
The original brick-of-bricks is located on ".". This is the template from which the other glyphs were made.
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Design Rules:
1. Up to 25 distinct bricks from the palette may be used in the overall construction.
2. Each glyph will incorporate a heterogeneous mix of these bricks.
3. Bricks may not be flipped, rotated, stacked or composited.
Don't know if anyone's done this before, but I wanted to recreate the Fontstruct logo as an actual working typeface! Hope all of you enjoy it, I might add all of the foreign characters soon too.
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