Recreation of the pixel font from Jaleco's "Saiyūki World II: Tenjōkai no Majin" (1990) on the NES, which was re-themed for the US market as "Whomp 'Em". A fairly standard font, but with a few nice quirks (particularly on the "X"). Only the characters present in the game's tile set have been included.
The idea is to read other alphabets as if they were Roman.
This is a clone of CheckovsFunIt took me so long damn it
original work by Sed4tives
This is a clone of STF_BLACKPAPERRecreation of the primary pixel font from Sin-Nihon Laser Soft/Telenet Japan/NEC's "Last Alert" (aka "Red Alert", 1989) on the PC Engine/TurboGrafx-16.
Only the characters present in the game's tile set have been included.
Just a typeface I work on from time to time. Progress is somewhat slow but irregular.
Currently more than 2900 characters.
Comments are appreciated.
Update 1-Nov: Added Supplemental Arrows-B, Unified Canadian Aboriginal Syllabics Extended, Variation Selectors
This is a attempt at starting another collaborative FontStruct community project to thank for a decade of FontStruct's web application and pay homage to its creator, Rob Meek.
The first initiative for a community collab fontstruction originally came from fellow user Funk_King, and resulted in FS Collaboration 1. A second round of creative collaborations was proposed by Geneus1, which resulted in World of Thanks. Two exceptional expressions of gratitude towards each responsible for making the FontStruct web application available, featuring contributions by various community members.
Now, more than 9 years after the second round World of Thanks was published and (sadly) had last seen activity, I thought It would be a great idea to celebrate a fontastic decade under the belt of FontStruct.
Therefor I'd like to propose a third round of creative collaborations.
This is an opportunity for all users who have missed out the first two rounds, and say 'Thank You' for the awesome, worlds most accessible, freely available font creation application, that is FontStruct.
All credits for this concepts originallity should go to Funk_King, as it was his brainchild, and I most likely would've never came up with it myself.
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Guidelines are fairly simple (but could possibly change at a later stage)
1.) Send a message to reserve your glyph('s) (up to 3 max.). People added to the list will be sent the info to access the collab account.
2.) Say 'Thank You' in your own words/language. (Spanish, French, Italian, etc.)
3.)Work should only be done on your own glyph(s), unless approved by the original designer!
4.) The size of the glyph('s) should roughly be between 32 and 64 bricks in height.
5.) The current person working on the font must inform the next person on the list that they are finished, so work will not be lost by working simultaneously. As well as keep the project running.
6.) Once finished, add your username, language and/or glyph description here at the bottom.
7.) If you are posting a message in the comment section from the collab account, end the message with your original username, so we know who you are.
8.) When possible, post a sample image of your contribution in action. below in the comment section.
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The initial font was cloned from DJNippa's 'All Composites saved in MY BRICKS' (big thanks to this user for allowing me to use this fontstruction brick toolset).
It has been slightly modified, removing all bricks from the editor grid, preserving only the saved set within the 'My Brick' pallet. The small square shaped brick in 'My Bricks' that is used as glyph indicator also marks the end of DJNippa's brick tool set. All bricks beyond this point are most likely the result of of glyph-specific composites and should under no circumstances be modified what so ever.
It is also possible to work on your personal FontStruct account by manually cloning DJNippa's or this font, and once you finished your glyph(s) simply copy/paste it from your account into the collab account.
Have fun structing!
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FORMAT:
letter-(description) word (language), by user
A-(Ligatured Sans) Bedankt Fontstruct! (Dutch), by Sed4tives, B-(Stencil Sans) Bedankt (Dutch), by Sed4tives, C-(Circular Display) dankjewel (Dutch), Sed4tives, D-(Minimalism) 謝謝 (Mandarin Chinese), by JunYou, E-(Artdeco) 謝謝 (Mandarin Chinese), by JunYou, F-(Minecraftio) !תודה (Hebrew), by BWM, G-(Rainy Days) ¡Gracias! (Spanish), by BWM, H-(DYMO LetraTag Interface) ghIlDeSten! (Klingon), by BWM, I-(description) 고맙습니다! (Standard Korean), by Bluemon, J-(description) word (language), by user
This is a clone of All Composites saved in MY BRICKS 3.0This is the bolder version of INGEROL. Made for my uncle ROLF who is celebrating his birthday on the 28th August. I named the font for him and in loving memory of my aunt INGE who I miss very much. Love, Holli and Ninzi.
A bolder variant of Mailship I.
This is a clone of Mailship IModified clone that provides a style variation to the previously published Jurriaan Schrofer font revival I did, called "STF_SATER (Isometric)".
The earlier version I did was in fact amongst my very first font designs ever, and at this stage I still had about zero real typographic background knowledge.
Due to this I simply went out copying the exact lettering 1:1 as was seen in the source that I used. Not realizing that the angle of projection applied to the lettering in the original would render my font next to useless.
So I ended up with cool looking isometric letterforms that were heavily handicapped in a full font.
This time I overhauled the original and got rid of its isometric nature and simply just making it a regular, fully upright style.
Now with this addition it finally becomes a truly functional font at last.
I hope you like it !
This is a clone of STF_JS-SATER (ISOMETRIC)Vyaz —
http://rbardalzo.narod.ru/4/viaz.html
2 years of development.
See more:
https://fontstruct.com/fontstructions/show/265441/lokrd_labrik
http://russianfonts.ru/fonts/dobrozrachniy/dobrozrachniy-typeface.html
https://vk.com/vi_ktor
https://www.fontstruct.com/fontstructions/show/1384605/remix-of-vyaz-sychoff
https://fontstruct.com/fontstructions/show/1158598/kalinkamalinka
https://www.fontstruct.com/fontstructions/show/1587122/enisey-1
https://www.fontstruct.com/fontstructions/show/1326772/one-twenty-nine
See more:
https://fontstruct.com/fontstructions/show/683812/db_como
https://www.fontstruct.com/fontstructions/show/1329418/benk-2
https://fontstruct.com/fontstructions/show/719157/dhuwur_loro
https://www.fontstruct.com/fontstructions/show/522360/alphane
https://www.fontstruct.com/fontstructions/show/138958/honest_1
https://fontstruct.com/fontstructions/show/1592397/amyn-1
https://fontstruct.com/fontstructions/show/671570/shu_ling_regular
https://fontstruct.com/fontstructions/show/16702/7by5angles
https://fontstruct.com/fontstructions/show/208444/exempla_sans_ultra_light
https://fontstruct.com/fontstructions/show/220088/heartbreaker
This is a clone of Donburi ThinAngled bricks based on 1:4 // 4:1, also some ready-to-use combos, some straight and angled lines to match the 1:4//4:1 sized bricks, a few 'decorative' elements (could be used to fill lines or counters, or to create entire glyphs) and stacks.
Designed to show how the combos are made as this might help newcomers to understand the technique and enable them to make those they want -- if they can't find them in the excellent tools and sets some members have created.
I'm hoping that someone can add more related lines, bricks, angles, combos, stacks and then help us by publishing their extended clone.
This font was inspired by the images seen from the Hong Kong protests and the use of the umbrella as a symblom for there movement. I made the font based of pre exsisting letter forms to show china's forceful additions to Hong Kong law.
Thanks for veiwing, feel free to get in touch
Instagram: colourized_design