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GS Unicode is a project I worked on over the course of several years so (almost) all languages get support! With 14,564 non-spacing characters, this font is finished (as of Unicode 13.0, and as of FS's pre-July 2021 glyph inventory). Please tell me if some of the characters aren't working. I'll try to fix them as best as I can!
This font will no longer be updated except in the case of fixing errors. I'm now working on GS Unicode 2.0, a non-pixelated(!) font that uses FS's current (all of Unicode!) glyph inventory, and is set to take much, much longer....
...so I'll see y'all on the other side~
It took me so long damn it
original work by Sed4tives
This is a clone of STF_BLACKPAPERA cursive pixel font.
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Series title: Essentia
Type: Cursive Script
Properties: Bold & Italic, 5.7pt
Currently Available in:English and Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish and Norwegian, Faroese, Icelandic, Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.
Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin).
Possible future additions: Hebrew, Arabic, Persian (Farsi), Hindi.
Any Suggestions?
ORIENTFAHRTEN (Pro) — Semi-connected script-style font design
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Losely based on the lettering that was seen on a 1929 poster design by German painter Ottomar Carl Joseph Anton (1895-1976) for the “Hamburg-Amerika Line” * (click for image of the original poster)
Whereas the original (non-Pro)-version aimed at extracting that “stylistic essence” of the lettering, and made an attempt at extrapolating and restoring a full alphabet from the letters provided by the original poster. And this basically became sort-of a font revival with a little extra's.
ORIENTFAHRTEN (Pro) than took this to a whole other level, This refor-mation wasn't guided by Ottomar's original poster-lettering, but rather a remodeling and amelioration of my initial work.
Many glyphs were fully re-invented, others only just partially improved.
In addition to this, many new things were introduced as well. For example, the font was further ornated with various typographic elements and bits, reminiscent of calligraphic hand lettering. Turning this into a much more attractive looking little novelty.
Also some “technical” restructuring of the Unicode character mapping, to creating more user-friendly text formatting properties.
Since it is a semi-connected script, certain characters were deliboratly disconnect and some weren't. For example, the uppercase letters almost all disconnect, whereas the majority of lowercase letters will connect by default. A set of glyphs alternate forms was included that allow to break the 'connected' flow of a text.
These also function sort-of as “Contextual Substitutions”, but without OpenType's automated glyph-stream lookup classes. Yet these do allow the manual control over word-endings and word-space situations. So when a default-glyph is followed by a white-space, a glyph-alternate form could than be selected to replace the default-character encoding and improve overall aesthetics and natural flow of text. These substitutions are located in the “Halfwidth and Fullwidth Forms” and “Private Use Area's” Unicode blocks. In addition to the default alphabet letters the font also includes numerous symbols and punctuation marks, as well as ligatures.
As for the “numberscomp” that is currently in progress:
This font was specially fitted with 5different schemes for text figure arrangement.
• Didot-(old style) non-lining (font default)
• Traditional-(old style) non-lining
• Clean-(modern) lining
• Tradidotional-(old style) non-lining
• Ornate-(modern) lining
— This does temporarily create a new problem for me though... As this would be my fourth submission to the competition, where a maximum of only three font submissions is allowed. Now, which of these previous entries am I going to eliminate?!
I hope you like it,
Cheers
This is a cloneQoniqt is a pixel script ainjoo typeface designed by Zach Streemke in 2021. It is an italic design as a "distinguishing" text. In 2021, it was designed by Igino Marini to make "New Coptic" letters. In 2021, it was properly FontStructed by Avalro Iltaolic to make "New ligatures and Cyrillic" latin letters. e had a curved bar with no straight segment, a was at the wrong position, It kept small sizes as well. In 2021 by Arvilo Marvona, It added "Cyrillic Ghe With Upturn".
A script-inspired monospace, mathematics-oriented, angular, unicase (mostly) typeface. Partially inspired by OCR typewriter fonts (only 90/45 degree angles).
(Still working out the n/u similarity, but context provides differentiation.)
Caps is prioritier in use.
See more:
https://www.fontstruct.com/fontstructions/show/771898/techno_cursive
https://fontstruct.com/fontstructions/show/1411829/afrosambas
https://www.fontstruct.com/fontstructions/show/353236/en_simple_script
https://processtypefoundry.com/fonts/fig/
A script (cypher?) I made which separates letters into groups in an unusual way. It's also monospaced, visually at least.
Translator: https://lingojam.com/TexttoOnno
Translator specifically for this font: https://lingojam.com/LegibleOnno
What are those weird no-width characters!? The rectangular vowels of Onno - ⊐◻⊔⊏⊓ꘌ॥ᒧᒣᒪᒥ, corresponding to AEIOUYÜÅÄÖÉ - are actually supposed to go around the non-vowels to their right. Ex: for the word "⊐ⴲ╱", it should be written so "⊐" is big, and contains "ⴲ╱". For multi-vowel words like "◻⊐ꕕⴱ", "◻" contains "⊐", which in turn contains "ꕕⴱ". In order to construct these large vowels that can contain other characters, and even other large vowels, the no-width characters exist.
Special no-width glyphs
(lyr = layer)
Left line: lyr1 ʰ, lyr2 ʱ, lyr3 ʲ
Right line: lyr1 ʰ, lyr2 ʳ, lyr3 ʴ
Top line: lyr1 ʵ, lyr2 ʶ, lyr3 ʷ
Bottom line: lyr1 ʸ, lyr2 ˠ, lyr3 ˡ
Top and bottom line: lyr1 ˢ, lyr2 ˣ, lyr3 ˤ
Quote extensions: yr2 ˄, lyr3 ˅
Linebreak: (space)
Other technical glyphs
Vowel continuation mark: ˀ
Space glyph: _
OVUNUQUE NOI SAREMO - BIANCONERI!
A Tribute to Internazionale Milano FC Font from the late 2010s and mixed with the Modern Germanic Blackletters around the 1950s. Here's the first blackletter font I made in my spare time...
This whole font is free to use, cause it's my first font to use for this site. Feel free to modify, share, or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!